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Maximum Damage and Massacre: ICE Kills, ICE Lies
What to say. Alex Pretti, 37, a kind, principled, hard-working ICU nurse who cared for real soldiers in dire need was executed in the street at close range by a vicious gang of government sociopaths cosplaying as soldiers. After state terror killed him, state terror smeared him with "flat-out insane" lies, because the man who dedicated his life to helping others was murdered by a man who has dedicated his life to hurting others. Pretti died trying to protect two women.
Pretti, 37, was a registered nurse in the intensive care unit at the Minneapolis VA Health Care System; he had also taken part in research projects. His only previous interaction with law enforcement was for traffic tickets. Colleagues describe him as someone who "cared about people deeply" and "always rose to the level above and beyond what we expected of him." "He wanted to help people," said Dr. Dimitri Drekonja, chief of infectious diseases at the VA hospital. "He was an outstanding nurse who'd go out of his way to help." Pretti was also an "infectious spirit, quick with a joke"; the two men often talked about mountain biking, which they both loved. "You could not think of a kinder, gentler, sweeter person," said Dr. Aasma Shaukat. ”It really, truly gave him joy to interact with patients. And he always spoke about doing the right thing. He was a very principled person."Videos from Saturday morning's protest in Minneapolis show Pretti, dressed in brown, directing traffic and filming federal agents; forensic video analysis clearly shows his right hand holding up his phone, and his left hand empty. When agents start pushing protesters and observers back, Pretti retreats with them but keeps filming. As one thug violently shoves a woman to the ground, Pretti moves to help her, in response, the thug pepper sprays both Pretti and the woman in the face. As Pretti struggles to continue filming and protecting the woman, a swarm of six or seven nearby agents in full tactical gear rush in to pull Pretti away from her; they slam him to the ground, pin his arms down, and begin beating, punching, kicking him; one appears to pistol-whip Pretti about the head as other protesters yell for them to stop.
An agent suddenly shouts Pretti has a gun; he was reportedly carrying a legally registered handgun, in what is an open-carry state, as part of a community-led first-responder network. One goon steps in, pulls it out of Pretti's waistband and walks away from the melee; seconds later, as Pretti strains to get up on one knee, another thug pulls out his gun and shoots him point-blank in the back. As Pretti collapses, at least one other agent begins shooting too; both continue firing 8 or 10 times as Pretti lies motionless on the ground. The closest sick fuck to Pretti claps as the shots ring out, and turns triumphantly away. Around them, people are screaming, crying and filming. "What the fuck did you just do?! What the fuck did you just do?! shrieks a woman, then "Oh my God, oh my God." She starts sobbing, but keeps recording. "You fucking people, you're fucking killing us," she wails. "Why would you do that?!"
Even more than the murder of Renee Good, Pretti's execution was brutally documented by eyewitnesses. When the firing begins, there's video from a suddenly shocked guy inside a donut place across the street: "What?! Are you fucking kidding me?" There are painstakingly detailed forensic analyses- here and here - that clearly show Pretti holding his phone (not gun), helping the observer, pinned to the ground when he was shot. There's video from the weeping, resolute woman recording behind him, and two sworn affidavits - for an ACLU lawsuit - based on testimony from her and a physician who watched from his apartment, went to the scene and insisted on checking for a pulse when agents (again) failed to do so: "I asked if (Pretti) had a pulse and they said they didn't know"; they were focused on counting how many times he'd been hit.
Virtually all that first-hand evidence contradicts every absurd claim the regime - lying goons, lying DHS, lying so-called president - has subsequently made in an ongoing response "at best indifferent to the evidence available (and) at worst completely fabricated." "This is a documented execution, down to evidence staging," said one critic after a curated White House photo of a handgun Trump called "the gunman’s gun.” The bullshit started within minutes when mini-Nazi Greg Bovino announced that as brave thugs were conducting a "targeted operation" against a Very Scary "illegal alien," "an individual approached (them) with a 9 mm handgun. The agents attempted to disarm the suspect but he violently resisted and an officer, fearing for his life, fired defensive shots...This looks like a situation where an individual wanted to do MAXIMUM DAMAGE and MASSACRE law enforcement." Also, then, "rioters."
Their scripted claptrap kept coming, a shameless, venomous flood of lies from a cohort of comic-book villains. Fucking ICE Barbie echoed fucking Bovino, with flourishes: An "armed suspect," now "brandishing" his weapon, approached agents "to inflict maximum damage and kill law enforcement...I state the facts as they unfolded." Stephen Goebbels called Pretti "a would-be assassin" who tried to murder feds and blasted Democrats who "side with the terrorists.” Dems replied, "You’re a f*cking liar with blood on your hands.” Drunktank Pete raved, "Thank God for the patriots of @ICEgov...You are SAVING the country." The White House reminded zealots to call Pretti "a terrorist" in messaging, and Trump babbled Walz and Frey are covering up billions in "Theft and Fraud,” his racist pretext for starting the mayhem when, per Aaron Rupar, "None. Of. This. Was. Necessary."
Nor is it normal, or often, legal. Again, corrupt feds blocked state investigators from access to the murder scene. They tried to block city cops too, but the police chief ordered them to stay and do their work. Bovino says his thugs, murderers among them, are all back on the streets, and Kash's Keystone FBI are on the case; they just arrested four perps for damaging an FBI vehicle and stealing stuff. But their abuses have grown so unhinged even some Repubs are saying, "Enough," and the Wall Street Journal just urged the regime to step back from "what is becoming a moral and political debacle.” Highlighting the federal government's literal lethal war on blue states - "Obey or die" - evil Pam Bond said the quiet, election-stealing part out loud, effectively warning Minnesota officials the killings will continue until they fork over voter rolls. All of us are in peril, activists insists, not just Minnesota: "We’re performing CPR on what may already be a corpse called the Constitution."
Fascism then and nowPhoto from BlueSky
AOC calls Alex Pretti's murder - again, point-blank, broad daylight- "a momentous, pivotal moment." Maybe. Certainly, as Tim Walz argues, "They're telling you not to trust your eyes and ears," and as others argue, "Every person who voted for Trump has blood on their hands." For now, Jonathan Last writes, our task is to at least bear witness. In the wake of the murder of Renee Good, "The murder of Alex Pretti was not a mistake, or a tragedy, or a misunderstanding. It was a choice. The president (and) his regime saw what its masked agents had done to (Good) and decided to do more of it...Killing Alex Pretti was (their) policy...which means the federal government is at war with the citizenry. Or at least the part (it) deems undesirable." "If people in Minneapolis can be treated this way, Americans anywhere can be treated this way," he concludes. "To avert your eyes from this reality is to insult the sacrifices Renee Nicole Good and Alex Jeffrey Pretti made for our country."
Alex Pretti's parents apparently found out about their son's death, not from those responsible for it, but from an AP reporter who asked them about it. No federal official contacted them; in fact, none has yet picked up a phone to them. After struggling to get any information from DHS or other federal law enforcement, they called the county medical examiner's office, who said, yes, they had a body matching the name and description of their son. In the wake of such horrors, Minnesota organizer Keith Edwards began an "Alex Pretti is an American Hero" fundraising campaign. The initial goal was $20,000. Reflecting Americans' rage and grief, it has now raised over a million dollars, with donations ranging from $10,000 to, often, $5 or $10. Edwards has thanked donors with, "You are what America can look like at our best."
Many moving comments come from "a whole family of us nurses who will carry him in our hearts." They "mourn for the innumerable lives Alex WOULD have saved and the lives he WOULD have touched," for "a life taken too soon" while "honoring the calling we all share." From a fellow critical care nurse in the UK: "Sent with love, disbelief and abject horror. Rest in Power Alex." Many thank his parents: "For raising someone brave who will be remembered as a beacon at the turn of the tide," for "raising such a beautiful soul who stood up for what is right, and showed what love and dignity look like...We will not let your son be forgotten...Alex is any of us, and all of us." "Be Good, be Pretti," they wrote. "Murdered for being a good human being," and, "Your actions were more than just an intervention - they were a profound hymn of human courage...Your light will guide the way for so many who follow."
Protests continue in Minneapolis, people's breath mixing with plumes of tear gas in the frigid air. Fed-up prison officials are exposing the regime's lies, the National Guard are giving out doughnuts, more furious white citizens are saying, "This is not OK." George Conway: "I just checked...The Constitution does *not* say ‘a bunch of sociopaths (can) do whatever the f*ck they want and make sh*t up as they go along.’” New video shows a woman sobbing as her husband is brutally tackled by more roving goons; she tells a pastor at her side they were just trying to escape the tear gas. Mister Rogers: "Look for the helpers." After Alex Pretti's murder, many noted the wrenching final act of his life was trying to help a woman assaulted by the masked sadists who then killed him. His reported last words were to ask her, "Are you okay?" Later, the son of a veteran who Pretti cared for in his final hours posted video of Pretti's "final salute" honoring him. "Today, we remember that freedom is not free," he says "We have to work at it, nurture it, protect it, and even sacrifice for it... We grant him our honor and our gratitude.”
Alex Pretti and his dog Joule.Photo from BlueSky
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Abby Martin's New Documentary Takes On 'Earth's Greatest Enemy'
It’s a commonly repeated statistic that the US military is the world’s largest institutional polluter, but what exactly does that mean?
The quest to find a real answer to that question led journalist and documentary filmmaker Abby Martin and her husband and co-director Mike Prysner on a five-year journey from defense contractor conferences and international climate gatherings to the Rim of the Pacific military training exercises and the fight against the construction of a military base in Okinawa that would fill in its iconic Oura Bay.
The result is Earth’s Greatest Enemy, released this year independently through Martin and Prysner’s own Empire Files, with editing by Taylor Gill and an original score by Anahedron. The film uses personal narrative, research, investigative reporting, interviews, and live footage to detail all the ways in which the Pentagon poisons the planet, including greenhouse gas emissions, the ecocide of war, and the toxins left behind long after the fighting has stopped.
"When you combine all of this, it is completely undeniable that this force that is upheld by extreme violence is the greatest threat to all living things on Earth,” Martin told Common Dreams.World’s Largest Polluter?
RIMPAC training exercises are shown in a still from Earth's Greatest Enemy. (Image via Empire Files)
Toward the beginning of the film, Martin sets out to explain how the Pentagon can count as the world’s largest institutional polluter, and why the numbers behind that fact actually undersell its impact.
It turns out, Martin told Common Dreams, that this statement is only based on the amount of oil the US military purchases on paper, which comes to 270,000 barrels per day. This puts its emissions at 55 million metric tons of carbon dioxide annually, more than 150 countries.
This itself is a staggering amount of carbon pollution.
As Martin explains in the film: “It would take the average American driver over 40 years to burn as much fuel as a single flight of a Boeing Pegasus. The US flies more than 600 of these tankers.”
"You have to look at the military as actually the institution that's actually keeping the fossil fuel infrastructure in place through brutality and violence.”
But it’s also only the tip of the melting iceberg. Through an interview with scientist Stuart Parkinson, Martin reveals how that 55 million keeps ballooning when considering life cycle emissions from military equipment and from the equipment purchased by NATO allies, projected to reach 295 million metric tons by 2028, or more than half of all countries. And that figure excludes the use of military equipment in war, or the emissions from reconstructing cities leveled by US-made bombs.
In one particularly candid interview, a major general tells Martin that it’s great to develop alternative energy sources, “but let’s not walk away from what fuels today’s national security, which is oil. You have to have it.”
And until something is developed that can completely replace oil, “I think you need to keep the alternatives in check," he says.
Statements like these give the lie to the idea that the US can have a “green military empire,” Martin said.
They also show how difficult it is to separate the US military’s carbon footprint from that of the fossil fuel industry itself.
“Everything has really been wrapped up into securing the fossil fuel, building the infrastructure for fossil fuel, and maintaining that infrastructure empire in order to maintain a fossil fuel economy,” she told Common Dreams. “So you have to look at the military as actually the institution that's actually keeping the fossil fuel infrastructure in place through brutality and violence.”
'Human Detritus'
A helmet and dog tag are seen in Camp Lejeune, North Carolina in a still from the film Earth's Greatest Enemy. (Image via Empire Files)
The film also makes clear that carbon pollution isn’t the only kind of pollution the military generates.
“Once you get into the research, you realize every stone unturned is an entire other documentary because it's not just emissions, it's the totality of pollution that the military is emitting on a daily basis, the dumping of toxic waste, the legacy contamination, that alone is still killing people every day,” Martin said.
The film spends much of its run time digging into the landfill of military waste, from melted down pucks of plastic dumped off Navy boats and unused munitions exploded in the desert to decades of water contamination at Camp Lejeune, the 26 million marine mammals the US Navy is permitted to harm or kill over five years of training, and the more than 250,000 bullets left behind in Iraq and Afghanistan for every person killed.
Martin said that almost every fact or anecdote she unearthed surprised her.
"We're fighting for service members and every living person on Earth, because we are all victims of this.”
“No matter what you think you know, it's worse. It's actually worse because of how big it is and how every face is a story, every victim is a story,” she said.
One of the most devastating stories comes at the film’s beginning, as viewers spend time with Lavon Johnson, an Iraq War veteran who once starred in a US Army commercial and is now living on Veterans Row, a stretch of tents bearing American flags lined up outside the Veterans Affairs hospital in Brentwood, Los Angeles. “My life is so fucked!” he declares as he lifts his hands from the piano he furiously plays despite the nerve damage caused by exposure to hydraulic fluid while in the Army.
In the next scene, viewers see the camp being demolished by police, juxtaposed with images of war, pollution, and environmental destruction, such as soldiers breaking down doors or dumping trash off of boats, oil pump jacks working, and beachside homes collapsing into a rising tide.
Martin said she was inspired to open the film with Johnson because of a letter that late Iraq War veteran Tomas Young wrote to former President George W. Bush and Vice President Dick Cheney before he died, referring to himself and other victims of the invasion as “human detritus your war has left behind.”
“That always stuck with me, that line, ‘the human detritus,’” Martin told Common Dreams. “And that is exactly what they do to veterans. That is exactly what they do to veterans… they're churned up and spit out. They're the cannon fodder of the system. And for what?”
Prysner is an Iraq veteran who spoke out against the war, and Martin is very clear that veterans are not the target of the pairs’ critique.
“This isn't about service members,” she said. “This isn't about hating the military. This is about accountability and justice for them. We're fighting for service members and every living person on Earth, because we are all victims of this.”
The demolition of Johnson’s camp cut through with clips of war and weather disaster illustrates this point, and could serve as a sort of thesis for the film, showing that the US military ultimately turns everything it touches into detritus, including, if it’s not stopped, the planet itself.
“Everything on Earth is in Lavon’s tent,” Martin said.
A Movie and a Movement
People march against US militarism at COP26 in Glasgow, in a still from Earth's Greatest Enemy. (Image via Empire Files)
This sense of connection is ultimately why Martin decided to keep Earth’s Greatest Enemy as a two-hour feature documentary rather than pivoting to a documentary series, despite the fact that, the more she dug, the more she realized “it could be 10 documentaries.”
She also ran into roadblocks when seeking Hollywood distribution. While environmentalist distributors would praise the film and compare it to Al Gore’s An Inconvenient Truth, they also said frankly, “You’re never going to be able to get anyone to buy this stuff.”
But, Martin said, “I was so committed to making a movie because movies were what radicalized me,” citing inspiration from films like The Revolution Will Not Be Televised, War Made Easy, and Michael Moore's filmography.
Ultimately, her stubbornness paid off.
“After we educate everyone, I hope to decommission the military empire."
“It shows that everything from ICE [Immigration and Customs Enforcement] to Gaza to the climate, that everything is connected,” she said. “Veterans, soldiers, the Indigenous people on the receiving end of this. If you care about cold water and good air, you can't walk away from this not being impacted. And that was the goal. The goal is to lock people in and explain the totality and to bring you down to the depths of hell.”
She added: “We have to understand those depths, and you can't get that with a 20-minute segment. You just can't. You have to go through the pain of all the victims in this community and come out the other side empowered with the truth and the resolve that we have to change this.”
Change is a large part of Martin’s motivation for making the film, by educating people about the scope of the military’s destructive force and connecting them into a broader coalition.
Martin speaks in the film about coming to political consciousness and beginning her career as a journalist during the Iraq War, meeting Prysner through their shared opposition to war and empire, and developing "profound climate anxiety" following the birth of the pairs' first child. She lamented that the climate and anti-imperialist movements have been largely siloed over the past two decades, though that is beginning to change.
Through local screenings, she said she wanted to “try to build the environmental movement with the anti-war movement together because… even though the consciousness is expanding, it's not happening fast enough. And we are simply out of the luxury of time.”
The sense of urgency has only increased with President Donald Trump’s second term. While the film does not cover this period, it points to many developments that have shaped the past 12 months, including Trump’s claim that he attacked Venezuela for oil, his imperialist push to control Greenland, and his deployment of ICE to terrorize US cities.
Toward the end of the movie, Martin includes a segment on the militarization of US policing and warns that “this is our system’s big plan for the climate crisis.” She also films a panel on “Domain Awareness and Air Superiority in the Arctic” in which the generals speaking tell US companies they have an “open invitation” to experiment in Alaska.
“We know what they want the Arctic for, and it's to pillage every last drop,” Martin said. “So if environmental organizations are not thinking this together, we have to do it for them. We have to do it for them quickly.”
So far, she has seen encouraging signs, with several Sierra Club chapters stepping up to host screenings and enthusiasm from the mainstream environmental groups, parks departments, and other city officials she has invited to attend.
But education is not her only goal.
“After we educate everyone, I hope to decommission the military empire,” Martin said.
For Martin, that doesn’t mean not having a military for self-defense, but rather decommissioning the 800 or so bases the US military maintains around the world and transforming the infrastructure into something that could help local communities in a climate-friendly way. It also means accountability for harm caused and redirecting military spending toward basic needs like housing and healthcare, and certainly not giving the Pentagon another $600 billion as Trump desires.
While that may seem like an impossible task given the current political climate, Martin maintains a sense of revolutionary optimism, encouraged by the global mobilization against the genocide in Gaza and the way that people are increasingly seeing the links between the multiple crises and struggles around the globe.
“There's so many of us,” Martin told Common Dreams. “We care about the planet. We have a vested stake in life. And that's our vision.”
“It's like they have a vision of death and destruction for profit,” she continued. “Our vision is life, and we have to fight for it with every fiber of our being. And let this movie assist you however you can do that.”
To attend a screening of Earth’s Greatest Enemy, see the schedule here. To host a screening of your own, email theempirefiles@gmail.com.
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