SUBSCRIBE TO OUR FREE NEWSLETTER
Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.
5
#000000
#FFFFFF
5
#000000
#FFFFFF
black history
Juneteenth Is Not a History Lesson We Can Afford to Forget
A PragerU video about the holiday is an example of how history can become propaganda.
Jun 23, 2026
Juneteenth celebrations in my town were lit. There were so many events I had a difficult time choosing which ones to attend. As a grandmother, I ended up at the event on the grounds of the Historic Harriet Barber house (circa 1875) in Hopkins, South Carolina, where my daughter and her 3-year-old son were drumming. The celebration was filled with spirited performances, great food, and camaraderie. Historical reflections centered on the origins of Juneteenth, commemorating June 19, 1865, when African-descended people who were enslaved in Texas finally learned of their freedom—more than two years after the Emancipation Proclamation had officially declared them free. Many gave shout-outs to African American ancestors for all of their visions, sacrifices, and accomplishments. It was a joyful space.
While we are still in the Juneteenth celebratory spirit, we should not sleep, lest it will be another two-and-a-half years when we wake up and realize that our freedom has been lost through a series of recent institutional white supremacist political maneuvers such as: weakening voting rights; attacks on Black political districts, and bans on African American studies.
In his classic 1933 book, The Mis-Education of the Negro, Dr. Carter G. Woodson, father of Black History Month, warned Black people not to believe the lies taught in school that are full of distortions, intentional inaccuracies, and omissions. He also warned that one of the most effective tools of institutional white supremacy is to recruit Black voices to legitimize and advance ideas that work against Black liberation. Nearly 100 years later, we are still facing the revision and erasure of Black history.
For example, PragerU—a conservative website that promotes conservative viewpoints via digital media—has produced a series of edu-tainment videos full of revisionist historical distortions and half-truths.
Juneteenth reminds us that freedom is not simply a legal status. Freedom requires historical memory, vigilance, and the courage to question what we are told.
One video, "The Inconvenient Truth About Juneteenth," is narrated by a young Black man, Xaviaer. In the 56 second TikTok-style video, the narrator presents himself as an “influencer” and is casually walking down the street, iced coffee in hand, as he opines that Black folks are mentally enslaved for believing the conventional story about Juneteenth.
Immediately, evoking the name of Rosa Parks, Xaviaer signifies that Rosa should have made the viewers sit in the front of the bus and take a history class. The cleverness of the misinformation, though, is apparent when he says that Democrats kept Black people enslaved two and a half years after the Emancipation Proclamation was signed. This slight of hand fails to clarify that the ideologies of the Republican and Democratic parties switched around 1870. Before that time, Republicans controlled the government and used its power to protect Black people who were formerly enslaved and guarantee their civil rights during Reconstruction. Most Democrats, particularly in the South, opposed many of these efforts. However, as the nation shifted its attention toward economic growth and industrial expansion, support for Reconstruction began to wane. Many Northern Republicans became less willing to invest political capital in protecting Black rights in the South.
By the mid-to-late 1870s, the Republican Party had largely retreated from its commitment to reconstructing Southern society and safeguarding the rights of African Americans. Following the Compromise of 1877 and the withdrawal of federal troops from the South, White Democrats regained political control across much of the region and systematically dismantled many of the gains Black people had achieved during Reconstruction. Over the following decades, political allegiances gradually shifted, and by the mid-20th century, many African Americans increasingly aligned with the Democratic Party, particularly as it became more supportive of civil rights initiatives.
Xaviaer concludes "The Inconvenient Truth about Juneteenth" by admonishing Black people for referring to Juneteenth as a Black Independence Day. He argues that the political left has repackaged the holiday through what he characterizes as a segregationist lens. He adds a mocking remark, suggesting that if viewers truly believe Juneteenth is a separate Black Independence Day, he does not want to see them "twerking on a boat" on the Fourth of July—not resisting the urge to slide in a stereotype.
The comment is intended to be humorous, but it serves a deeper purpose. By ridiculing those who celebrate Juneteenth, the video dismisses the historical reality that many enslaved African-descended people were excluded from the freedoms celebrated on July 4, 1776. Rather than engaging this historical contradiction, the video substitutes mockery for analysis and caricature for historical understanding.
From a critical perspective, Black people should not be getting history lessons from social media influencers, political propagandists, or organizations masquerading as educational institutions. History is too important.
Fortunately, other scholars have challenged the distortions and omissions that permeate traditional historical narratives. While Dr. Carter G. Woodson's The Mis-Education of the Negro remains one of the most important warnings about the dangers of accepting history uncritically, James Loewen's Lies My Teacher Told Me, exposed how textbooks sanitize and distort the past. Howard Zinn's A People's History of the United States intentionally centers the experiences of people who were oppressed, marginalized, and excluded from dominant historical accounts.
Misinformation is not merely about getting facts wrong. It is about shaping how people understand themselves, their communities, and their possibilities. Dr. Carter G. Woodson once reflected that it took him 20 years after earning his doctorate from Harvard University to recover from what he described as his intellectual conditioning. James Baldwin similarly observed that it took years to free himself from the myths and falsehoods he had been taught about race, history, and human worth.
The stakes are especially high when misleading narratives are packaged in entertaining videos designed to reach young people. And by the way, Dr. Carter G. Woodson, father of Black History Month, cautioned that one of the most effective tools of institutional white supremacy is to recruit Black voices to legitimize and advance ideas that work against Black liberation.
Juneteenth reminds us that freedom is not simply a legal status. Freedom requires historical memory, vigilance, and the courage to question what we are told and the understanding of the need to seek truth from credible sources.
Keep ReadingShow Less
Sinners: Real Monsters of Greed and Racism Still Stalk the Gulf South
The Riverplex Megapark planned for Louisiana's Ascension Parish threatens both the history and future of the community with the destruction of former slave cabins and the construction of a polluting ammonia plant.
Apr 12, 2026
I was pleased to see Sinners have a good night at the Oscars, picking up four trophies. It didn’t win Best Picture, but to my mind, it is the movie of the year. Sinners had far and away the greatest cultural impact, especially among Black people.
Sinners is the rare blockbuster film that explores Black history from the perspective of Black people, but I believe the reason the film has touched such a nerve is that it’s much more than a period piece. When I watched Sinners, I didn’t just see a movie about the past. I saw a mirror. The horror in the film isn’t history; the blood-sucking vampires of racism, white supremacy, and cultural erasure still haunt us today.
For me, Sinners hit literally close to home. Although it is set in Mississippi, it was filmed entirely in southeastern Louisiana, where my roots trace back to a small community called Donaldsonville. The film reminded me of my childhood when grandpa and I walked the avenue to shop. We’d walk from Smoke Bend, up the avenue, to a warehouse on the edge of town to get syrup in a yellow can—perfect for eating with fry bread. What’s funny about the movie is that Michael B. Jordan’s characters’ names were Smoke and Stack. And my grandpa told me that Smoke Bend got its name from the Indian campfires travelers saw when they came around the river bend. The scenes where Smoke and Stack go to Clarksdale to buy supplies were shot on Railroad Avenue in Donaldsonville, where I live and work. Folks from around here remember hearing the alarm and radio announcements from Ascension Parish Barn on Church street as they shopped along the Avenue.
The Jim Crow era depicted in Sinners has ended, but here in Ascension Parish, we are in a struggle to protect Black lives and preserve Black heritage. In the name of economic growth, the Parish government is planning to create a massive, 17,000-acre industrial complex—the so-called Riverplex Megapark—featuring a Hyundai plant and other pollution-producing factories. The complex will decimate the historic predominantly Black community of Modeste and part of Donaldsonville, displacing as many as 800 people.
We will not be able to protect our communities unless more should-be allies come to recognize that environmental justice is a major civil rights issue of our time.
In October, Modeste residents reported that heavy machinery had demolished some of the slave cabins on the site of the former Germania and Mulberry Plantations. The purpose of the destruction was to make way for the Hyundai facility, which could destroy both plantations as well as the neighboring Zeringue Plantation.
Those cabins hold the stories of their enslaved ancestors, the people whose labor built this land and whose spirit still breathes through it. Among the destroyed cabins was one of deep significance to me: My uncle, Cloveste, was born in one of them. Like the juke joint in Sinners, those cabins are a sacred space; they are bloodline, legacy, and love—and they were bulldozed to make room for corporate profit.
While erasing our past, this industrial complex also threatens our future. Located in the heart of “Cancer Alley,” Ascension Parish is one of the most polluted counties in the United States. Less than 3 miles from my house is the world’s largest ammonia plant, the single worst polluting factory in the country. I am a breast cancer survivor. All three of my children were born prematurely, and one of them has had respiratory problems his whole life. These kinds of sicknesses are commonplace around here. Yet plans for the complex include another ammonia plant that will spew out thousands of tons of pollution.
Down here, corporate executives don’t wear hoods or burn crosses, but their greed can kill us just the same.
We are all for development, but we want economic growth that strengthens our communities, not that erases and endangers them while creating generational wealth for others. Rural Roots Louisiana, the organization I founded, is leading an effort to block the “megapark,” and a judge recently ruled in our favor, ordering the front group behind the project to turn over relevant public records.
But we are up against forces with bottomless resources, which they are using to try to buy out and pay off people in the community. This presents people with hard choices, but as we see in Sinners, there is a cost to accommodating your oppressor. As Director Ryan Coogler said, his film explores “the deals people in oppressive situations must rationalize.”
In this struggle, as in all my work, I take heart in the example of our ancestors, who persevered in the face of even steeper odds. Their efforts and sacrifices ended American apartheid, and it is important to remember how far the country has come. Sinners itself, the fact that it got made, is a form of progress. It serves as a rebuke to those trying to erase Black history.
I also draw inspiration from activists and organizers throughout southeast Louisiana. A few years ago, in Plaquemines Parish—where most of Sinners was shot—community members blocked an oil terminal that would have destroyed a cemetery where their enslaved ancestors were buried. In St. James Parish, community groups have made headway in their lawsuit seeking a landmark moratorium on petrochemical facilities, while in St. John Parish, a historic Black community waged a heroic battle against a proposed grain elevator.
Still, we will not be able to protect our communities unless more should-be allies come to recognize that environmental justice is a major civil rights issue of our time. Put another way, environmental racism might not seem like the scariest vampire—it dresses in suits and wears nice shoes—but none have more blood on their teeth.
Keep ReadingShow Less
MAGA Is Anti-Black
No matter what Trump or his allies allege, the video depicting the Obamas as apes is entirely consistent with their racist worldview; for them, Black is ugly, dangerous, and savage, while white is beautiful, safe, and civilized.
Feb 08, 2026
On February 5, a video was posted on President Donald Trump’s Truth Social account depicting former President Barack Obama and former First Lady Michelle Obama as apes in a jungle. The racist depiction of Black people as primates dates back centuries. It is meant to represent them as ugly, savage, and unintelligent—as fundamentally incapable of building a human (white) civilization.
The post was deleted 12 hours later. The White House initially blamed an unnamed staffer for posting it. One White House adviser told reporters, “The president was not aware of that video, and was very let down by the staffer who put it out.” Apparently, they forgot that Trump himself had claimed that only he and White House Deputy Chief of Staff Dan Scavino have access to his social media account.
Later that day, Trump admitted that he knew about the video before its posting. He told reporters, “I looked at the beginning of [the video]. It was fine.” He then added, “Nobody knew that that was at the end. If they would have looked, they would have had the sense to take it down.” Neither the current president of the United States nor his staff is apparently capable of watching a 1-minute video before posting it.
Trump refused to apologize, insisting that he “didn’t make a mistake.”
In some respects, Leavitt is right—that Truth Social post shouldn’t surprise anyone. Trump is the nation’s Racist-in-Chief.
Notably, even conservatives condemned the post (albeit meekly). Sen. Tim Scott (R-SC) posted on Twitter-X that this is “the most racist thing I’ve seen out of this White House.” Sen. Susan Collins (R-Maine) shared Scott’s post, writing, “Tim is right. This was appalling.” Sen. Dan Sullivan (R-Alaska) similarly wrote: “This post was offensive. I’m glad the White House took it down.”
Democrats, by contrast, used stronger language. House Minority Leader Hakeem Jeffries (D-NY) said, “Fuck Donald Trump and his vile, racist, and malignant behavior.” Finally, bipartisanship has been achieved!
Despite this outcry, the White House was quick to dismiss the post as being anything newsworthy. White House Press Secretary Karoline Leavitt demanded that journalists “please stop the fake outrage and report on something today that actually matters to the American public.”
MAGA and Anti-Black Racism
In some respects, Leavitt is right—that Truth Social post shouldn’t surprise anyone. Trump is the nation’s Racist-in-Chief. It’s a slow day indeed if that video is the only racist thing Trump did all day.
In recent months, he has referred to Rep. Ilhan Omar (D-Minn.), a sitting Black congresswoman, as “a disgusting person, a loser,” and “garbage.” Trump says that she, a US citizen, “should be thrown the hell out of our country.” To emphasize, not her country, but “our country.”
More broadly, he says that Somalis are “low IQ people” and that Somalia is “barely a nation.” It “stinks” and is “filthy, dirty, disgusting, ridden with crime.” For Trump, Somalis are savage, ugly, uncivilized, and unintelligent people—fundamentally distinct from the “nice people” from civilized societies like Denmark, Norway, and Sweden. Notice the direct parallels between how Trump explicitly describes Somalis on the one hand, and the underlying racist meaning behind comparing Black people to primates on the other. Trump is applying the exact same set of stereotypes in both instances.
For MAGA Republicans, that success is always vulnerable to the threat of “foreign cultures” and Black immigrants, which in this case include both Ilhan Omar and Barack Obama.
Somalia is not the only example. He refers to Haiti as a “shithole” and “hellhole.” That Haitians are “eating the dogs. They’re eating the cats.” This narrative—not only wildly racist, but demonstrably false—was amplified by several Republicans, including Rep. Tom Tiffany (R-Wis.), Representative Andy Biggs (R-Ariz.) and then-Vice President-Elect JD Vance.
Trump’s racism is not an anomaly among MAGA Republicans. Homeland Security Adviser Stephen Miller remarks, “If Somalians cannot make Somalia successful, why would we think that the track will be any different in the United States? If Libya keeps failing, if the Central African Republic keeps failing, if Somalia keeps failing, right? If these societies all over the world continue to fail, you have to ask yourself, […] what do we think is going to happen?" For Miller, no matter where those people go, the result will be the same: “consistent high rates of welfare use, consistent high rates of criminal activity, consistent failures to assimilate.” Test scores will also consistently drop: “If you subtract immigration out of test scores, all of a sudden our test scores skyrocket!” Like Trump, for Miller, Africans and their descendants are incapable of building a human (white) civilization.
Indirectly, Trump applies this standard to Obama too. Per Trump’s birther conspiracy theory, Obama was born in Kenya. At the same time he promoted that lie, Trump insisted that Obama allowed the US to collapse to the level of “a third world country.” Taken together, from Trump’s perspective, Obama is an African immigrant whose “destructive” policies led to the country “dying.” This is precisely what he and others in his administration allege that African immigrants always do.
A MAGA Black History Month
One might (confusedly) object that all of this is xenophobia, not anti-Black racism specifically—truly a distinction without a difference.
On February 3, Trump issued a proclamation emphasizing that “the history of black Americans is an indispensable chapter in our grand American country.” Thus, he calls upon “public officials, educators, librarians, and all the people of the United States to observe [Black History Month] with appropriate programs, ceremonies, and activities.”
Yet, this objection overlooks a crucial detail: Trump’s proclamation is explicitly not a recognition of diversity—“This month, however, we do not celebrate our differences.” For Trump, Black History Month is not a celebration of Black people, but rather of the ability of “black American heroes” to successfully embrace and defend the “very special culture” that America and Europe inherited. Importantly, for Trump and his allies, the values, beliefs, and principles of that special culture are uniquely white.
This is the white-washed version of Black History Month that MAGA recognizes—one where Black people’s contributions to America are completely divorced from their lived experiences; where it is white values that abolish slavery, end discrimination, and save the nation.
Trump is not honoring Black arts, culture, or philosophy. He is calling on us to remember Black people’s “enduring commitment to the American principles of liberty, justice and equality.” It is those principles that freed the Western Hemisphere from “empires, ended slavery, saved Europe, put a man on the moon, and built the freest, most just, and most prosperous society ever known to mankind.” Black patriots like Coretta Scott King, Booker T. Washington, and Thomas Sowell “fiercely defended the values set forth in the Declaration of Independence and helped to make our Republic the greatest country in the history of the world.”
For Trump, America’s “bedrock belief in equality” is inextricably tied to the nation’s Christian foundation and the belief that all are equal under God. It is that belief “that drove black American icons to help fulfill the promise of [America’s] principles.”
What Trump is expressing here is entirely consistent with the racist worldview that he and other MAGA Republicans endorse. Black values and cultures ruin societies, while white values uplift them. This is why Haiti, Somalia, Central African Republic, and Libya fail to develop, while the US thrives. If Black people succeed, it is because they have championed Christian and Enlightenment (white) principles and values. This is the white-washed version of Black History Month that MAGA recognizes—one where Black people’s contributions to America are completely divorced from their lived experiences; where it is white values that abolish slavery, end discrimination, and save the nation.
For MAGA Republicans, that success is always vulnerable to the threat of “foreign cultures” and Black immigrants, which in this case include both Ilhan Omar and Barack Obama. This vulnerability is why US cities like Baltimore, where more than half the residents are Black, can become “dangerous,” “disgusting, rat and rodent infested mess.”
No matter what Trump or his allies allege, the video depicting the Obamas as apes is entirely consistent with their racist worldview. In every instance, their comments reflect the same underlying dichotomy: Black is ugly, dangerous, and savage, while white is beautiful, safe, and civilized. This is true whether they explicitly state it or metaphorically represent it.
It is this racism that leads Trump to blame Black Americans for violent crimes. It is this racism that leads the Trump administration to invade Minnesota. It is this “racial and national origin animus” that spurs their desire to end Temporary Protection Status for Haitians. It is this racism that makes everyone, regardless of race or citizenship status, vulnerable to the Trump administration’s Christian and ethnonationalist agenda. It is this racism that we must all resist.
Keep ReadingShow Less
Philadelphia Sues Over Trump's Removal of Slavery Exhibits From George Washington’s Home
"The message is clear. American history no longer includes all Americans."
Jan 23, 2026
The city of Philadelphia has sued the US Department of the Interior and the National Park Service after officials were filmed dismantling exhibits on slavery at the President's House historical site at Independence Park on Thursday.
The lawsuit, filed in federal court by the office of Mayor Cherelle Parker, says “the National Park Service has removed artwork and informational displays" from the site, where George Washington lived as president from 1790 until 1797, in order to follow an executive order signed by President Donald Trump in March, which requires national parks, museums, and monuments to portray an "uplifting" message about American history.
The President's House monument, unveiled in 2010, contained information about nine enslaved people whom Washington brought with him to the nation's "first White House," and Washington's history as a slaveowner. By the time of his death in 1799, there were more than 300 enslaved people at his estate in Mount Vernon, Virginia.
Information about the President's House site and its ties to slavery still remains online. It states:
Washington brought some of his enslaved Africans to this site and they lived and toiled with other members of his household during the years that our first president was guiding the experimental development of the young nation toward modern, republican government...
The president's house in the 1790s was a mirror of the young republic, reflecting both the ideals and contradictions of the new nation. The house stood in the shadow of Independence Hall, where the words "All men are created equal" and "We the People" were adopted, but they did not apply to all who lived in the new United States of America.
A monument acknowledging this history, however, appears to have run afoul of the portion of Trump's order requiring the Interior Secretary to see that sites "do not contain descriptions, depictions, or other content that inappropriately disparage Americans past or living."
As BillyPenn.com reported:
Starting after 3 pm, placards were ripped from the wall around the site with crowbars as people walked by, some heading to the Liberty Bell Center. Signs were unbolted from the poles overlooking the dig site where America’s first “White House” had stood until 1832. They were stacked together alongside a wall, and then taken away around 4:30 pm in a park service truck. No indication was provided where the signs and exhibition parts will go
One of the employees, who did not give his name, told the Philadelphia Inquirer that his supervisor had instructed him to take down the monuments earlier that day.
“I’m just following my orders,” the employee repeatedly said.
In a statement to the Washington Post, Interior Department spokesperson Elizabeth Peace later confirmed that the placards were indeed removed in accordance with the order.
"The president has directed federal agencies to review interpretive materials to ensure accuracy, honesty, and alignment with shared national values,” she said. “Following completion of the required review, the National Park Service is now taking action to remove or revise interpretive materials in accordance with the order."
The city of Philadelphia says it was not given notice about the placards being removed. The lawsuit says their removal was "arbitrary and capricious" and says the “defendants have provided no explanation at all for their removal of the historical, educational displays at the President’s House site, let alone a reasoned one."
In a Facebook post, criminal defense attorney Michael Coard, who pushed for the monument's creation for nearly a decade, called its destruction "historically outrageous and blatantly racist."
It is the latest example of Trump's order being used to justify the removal of monuments related to slavery and Black history in the United States.
The infamous 1863 "Scourged Back" image—a picture of an enslaved man's back with severe whip scars that was used to promote the end of slavery during the Civil War—was removed from the Fort Pulaski National Monument in Georgia in September, along with other information about slavery.
The administration has also removed more than 20 displays at the Smithsonian Museum of American History, some of which dealt with slavery, civil rights, and race relations, a move that came after Trump lamented that the museum put so much focus on "how bad Slavery was."
The National Park Service also deleted information about abolitionist activist Harriet Tubman and many references to slavery from its webpage about the Underground Railroad for months last year, before restoring it following public backlash.
Pages on the Arlington Cemetery website that recognize the contributions of Black and Hispanic soldiers have also been removed.
The order has also led to the removal or alteration of numerous monuments, museum exhibits, and web pages recognizing the achievements or struggles of other racial minority groups, women, LGBTQ+ people, and Native Americans.
In a statement to NBC News, Philadelphia City Council President Kenyatta Johnson said, "Removing the exhibits is an effort to whitewash American history."
"History cannot be erased simply because it is uncomfortable," he added. "Removing items from the President’s House merely changes the landscape, not the historical record."
Daniel Pearson, a columnist for the Philadelphia Inquirer, said: "The message is clear. American history no longer includes all Americans."
Keep ReadingShow Less
After No Kings Day, Feed Your Head
We should commit ourselves to becoming students of struggle because there is so much to be gained not simply from action, but from deliberative, informed, and educated action.
Oct 20, 2025
Now that No Kings Day October 2025 has come and gone, what should we do with all our energy?
The carnivalesque atmosphere of protest across the nation on Saturday fed a hunger for political community and solidarity in the face of the relentless assault on our basic democratic rights that has been raging since the start of this year.
The signage alone—from cats kicking crowns to “We in Danger, Girl: Resist”—called us to move from words to action. Now.
Act we should.
For there is plenty to do.
Histories of anti-authoritarian struggle are an indispensable storehouse of knowledge for the days and weeks after the protest is over.
Join the American Civil Liberties Union. Work to support anti-Trump candidates in the 2026 midterms. Write your elected representatives, including judges, to let them know you support their efforts to defend the Constitution. And find out what the local organizers of your No Kings Day have planned next.
We should do all these things.
But we should also read. And study. And debate. And learn.
I’m not kidding.
We should commit ourselves to becoming students of struggle because there is so much to be gained not simply from action, but from deliberative, informed, and educated action.
And history, especially Black history, is a crucial resource in this struggle.
Consider Augustus Wood’s recent book, Class Warfare in Black Atlanta, which maps the ways that working-class African American men and women fought the neoliberal takeover of Atlanta from the 1970s onwards, pushing against both white and Black elites seeking to bulldoze their communities in the name of economic development and “progress.”
Get to know the stories of Phyllis Whatley and Eva Davis, Black working women who built “overlapping” movements across space, housing, and labor to beat back Atlanta’s takeover by urban power brokers. We have so much to learn from their courage and their strategies.
If a scholarly book like Wood’s is too much to pick up, go to your local library and find a novel which fictionalizes key moments and movements in anti-democratic history. Try Colson Whitehead’s Pulitzer prizewinning The Underground Railroad. Or check out John Lewis’ memoir, Walking With the Wind.
Or if fiction doesn’t appeal, follow a short form like an op-ed. Top of that list right now is Bobby J. Smith’s piece, “Chicago Restaurants Using Civil Rights-Era Playbook to Fight ICE,” which reminds us how prescient, and present, the tactics of the recent past are.
And if reading per se isn’t the way you want to access lessons on how ordinary people fight the power of the state and its legal and carceral systems, check out the website of the MAMAs project, which documents in word and image how the mothers of unjustly incarcerated sons have developed powerful pedagogies over a decade-long struggle for the freedom of their kids.
History comes in many forms and formats. So, as the 1967 Jefferson Airplane song “White Rabbit” exhorts us, “feed your head.” By whatever means possible.
Because after we put away the No Kings signs for now, we need recourse to concrete examples of how to counter government-sponsored violence and fascist takeover—partly so we can be inspired by those who have come before, and partly so we can develop models based on past patterns and present strategies that we can put into action now.
It goes without saying, of course, that for many communities in the US and elsewhere, these struggles are not new. They are intensified, yes, but they build on micro- and macro-aggressions that have been rending the social and economic fabric for decades if not centuries.
It’s important to remember that wherever violence has happened and the state has exercised lethal power against citizens and other subjects, people have resisted. We have to know these histories.
Luckily, there is a deep and rich archive of protest movements that historians, professional and otherwise, have labored to assemble and preserve precisely to serve us in these times.
Which is exactly why the current regime is banning books, coming after courses and curricula which amplify these histories, and seeking to remake the story of the last 250 years in their own image.
They want to erase the history of survival and resistance which can and will be activated to challenge their arrogation of power—activated to resist the dismantling of democratic foundations and to protect anew those rights which have been hard won over the last two centuries.
Histories of anti-authoritarian struggle are an indispensable storehouse of knowledge for the days and weeks after the protest is over.
We need to study them, with the present in mind. So get out there and read up on the practical examples that Black history especially has to offer us as we seek not just solidarity, but usable forms and portable practices drawn from the work of those who came before us.
When we do so, we ourselves will be making histories available to those who come after us to learn from, to mobilize, and to improve on.
Feed your head, and the rest will follow.
Keep ReadingShow Less
'She Died Free': Tributes Pour In for Revolutionary Icon Assata Shakur
"They wanted her bound, broken, and paraded as an example, but instead, she slipped their grip and lived out her life in exile, surrounded by people who honored her struggle and her survival," said one admirer.
Sep 27, 2025
Assata Shakur, a Black revolutionary who inspired generations of activists to struggle for a better world, passed away on Thursday in Havana, Cuba, where she had lived in exile from the US for over four decades.
Cuba's Ministry of Foreign Affairs announced her death on Friday, saying it was caused by a combination of “health conditions and advanced age." She was reportedly 78 years old.
"At approximately 1:15 pm on September 25, my mother, Assata Shakur, took her last earthly breath," her daughter Kakuya Shakur wrote on Facebook on Friday. "Words cannot describe the depth of loss that I am feeling at this time. I want to thank you for your loving prayers that continue to anchor me in the strength that I need in this moment. My spirit is overflowing in unison with all of you who are grieving with me at this time."
Shakur, who was born Joanne Deborah Byron and was also known as Joanne Deborah Chesimard, spent the first three years of her life in Queens, New York before moving to Wilmington, North Carolina. She then returned to Queens for third grade.
"Assata’s unwavering commitment to the liberation of her people continues to inspire generations."
"I spent my early childhood in the racist segregated South," she recalled in a 1998 letter to Pope John Paul II. "I later moved to the northern part of the country, where I realized that Black people were equally victimized by racism and oppression."
Shakur became active in the anti-Vietnam War, student, and Black liberation movements while attending Borough of Manhattan Community College and the City College of New York. After graduation, she joined first the Black Panther Party and then the Black Liberation Army (BLA).
"I have been a political activist most of my life, and although the US government has done everything in its power to criminalize me, I am not a criminal, nor have I ever been one," she wrote in 2013.
In 1973, she and two other BLA activists were stopped at the New Jersey Turnpike by two state troopers. By the end of the encounter, both Shakur's friend Zayd Malik Shakur and trooper Werner Foerster were shot dead. In 1977, Shakur was convicted of Foerster's murder in a trial she described as a "legal lynching." Throughout her life, she maintained her innocence.
"I was shot once with my arms held up in the air and then once again from the back," she wrote of the shootout.
She was sentenced to life in prison plus 33 years, but didn't long remain behind bars.
"In 1979, fearing that I would be murdered in prison, and knowing that I would never receive any justice, I was liberated from prison, aided by committed comrades who understood the depths of the injustices in my case and who were also extremely fearful for my life," she wrote.
In 1984, she claimed asylum in Cuba. Throughout her life, she also remained staunchly committed to the cause of liberation for all oppressed peoples.
"I have advocated and I still advocate revolutionary changes in the structure and in the principles that govern the United States," she wrote to John Paul II. "I advocate self-determination for my people and for all oppressed inside the United States. I advocate an end to capitalist exploitation, the abolition of racist policies, the eradication of sexism, and the elimination of political repression. If that is a crime, then I am totally guilty."
During her exile, her writings, including her 1987 autobiography, gained a wide audience and brought her story and voice to younger activists.
"It is our duty to fight for our freedom," she wrote in one of the book's most famous passages. "It is our duty to win. We must love each other and support each other. We have nothing to lose but our chains.”
She was also influential in the world of music and hip-hop, serving as godmother to Tupac Shakur and inspiring songs by Public Enemy and Common, among others.
The US government did not give up its pursuit of her. In 2013, under President Barack Obama, the Federal Bureau of Investigation named her the first woman on its "Most Wanted Terrorist" list. The FBI and the state of New Jersey also doubled the reward for information leading to her capture. That reward will now never be claimed.
"She died free!" one of her admirers, who uses the handle The Cake Lady, wrote on social media on Friday. "The US government, after decades of pursuit, never got the satisfaction of putting her in a cage. They wanted her bound, broken, and paraded as an example, but instead, she slipped their grip and lived out her life in exile, surrounded by people who honored her struggle and her survival."
News of her passing inspired tributes from social justice and anti-imperialist leaders and organizations, including former Ohio state Sen. Nina Turner and Rep. Ayanna Pressley (D-Mass.)
"We honor the life of comrade Assata Shakur, a revolutionary who inspires and pushes all of us in the struggle for a better world," wrote anti-war group CodePink on social media.
Community organizer Tanisha Long posted: "Assata Shakur joins the ancestors a free woman. She did not die bound by the carceral system and she did not pass away living in a land that never respected or accepted her. Assata taught us that liberation can not be bargained for, it must be taken."
The Revolutionary Blackout Network wrote, "Thank you for fighting to liberate us all, comrade."
The New York-based People's Forum said: "We honor Assata’s life and legacy as a tireless champion of the people and as a symbol of hope and resistance for millions around the world in urgent fight against racism, police brutality, US imperialism, and white supremacy. Assata’s unwavering commitment to the liberation of her people continues to inspire generations."
The Democratic Socialists of America vowed to "honor her legacy by recognizing our duty to fight for our freedom, to win, to love, and protect one another because we have nothing to lose but our chains."
Black Lives Matter organizer Malkia Amala Cyril lamented to The Associated Press that Shakur died during a global rise of authoritarianism.
“The world in this era needs the kind of courage and radical love she practiced if we are going to survive it,” Cyril said.
Several tributes featured Shakur's own words.
"I believe in living," she wrote in a poem at the beginning of her autobiography.
"I believe in birth. I believe in the sweat of love and in the fire of truth. And i believe that a lost ship, steered by tired, seasick sailors, can still be guided home to port."
Keep ReadingShow Less
American History Is Black History: We Will Not Be Erased
We will become loud about who we are, what we have experienced, and how we have overcome the impossible.
Sep 21, 2025
The Trump-MAGA-white supremacist administration is ordering the removal from displays information and depictions of the era of slavery in the United States. One of the most emblematic images of enslavement is the graphic and soul-shocking image called "The Scourged Back" that depicts the back of Peter Gordon photographed circa 1863 in Louisiana. It shows graphically his healed but black keloid bareback. The photograph of his scarred back yells loudly the horrors and brutality of enslavement. The wounds on Peter Gordon's back were inflicted on him by his so-called owner.
To remove the histories and experiences of Black people in the US is part of the educational pogrom enacted to "whitewash" America's real history. To "whitewash" history is the political project to change the narrative of America and make that narrative into the blessings and triumphs of white people, while ignoring the blemishes, scars, and overcoming that is as great a part of America's history as any other.
The beginning and institution of slavery in North America's British colonies commences in 1619 in Jamestown, Virginia. It doesn't legally end until 1865. A Civil War had to be fought to settle the question and end the legal institution of slavery. And even when slavery had legally ended, new systems and schemes were developed, particularly in the Southern US, to reinstitute slavery de facto. This system called Jim Crow would continue through to its painstakingly dismantlement by courageous individuals and movements that exposed it and brought about its demise. This means that formal enslavement lasts for 246 years. Then the era of Jim Crow lasts for at least another 100 years, and its effects still persist for many today.
In 2026 the United States of America will celebrate its 250th birthday. In those 250 years of existence, in comparison, there are 89 years of enslavement. Then, there is de-facto enslavement, called Jim Crow or American Apartheid, that lasts for at least another 100 years. So, there is no way that America was born, existed, nor its story told without the story of Black people, and for most of us our saga from enslavement to liberation, and from hardships to overcoming. To remove the histories and narratives of Black people in North Americas is like removing the heart from a living body and along with its heart it also loses its soul. The body and its story without Black history is really a dead and empty narrative and will remain so until America has the courage to tell the whole story.
Not recognizing the presence and history of Black people is to render in perception, historical understanding, and official narrative the pronouncement and indoctrination that the United States is a white Christian nation without blemish or scar.
The American narrative is the Statue of Liberty greeting scores of people arriving at Ellis Island. The words on a bronze plaque invites: "Give me your tired, your poor, your huddled masses yearning to breathe free, The wretched refuse of your teeming shore." And in the statute's left hand in the form of a tablet is the date July 4, 1776.
There is a limitation in knowing the full history of most Black people. This is because we were treated as property and given names for inventory—bought, sold, raped, and worked to death. Doing genealogies there is usually a brick wall that Black families encounter. What we do know exists through oral traditions that attempt to teach and convey to us experiences and history in a world where we live and work but never existed.
The other story for me is before Ellis Island. My family arrived on Sullivan's Island, South Carolina. This was a major marketplace and auction block for the precious and enriching cargo of Black people. When talking to my family, it seems from the narrative, that they and their descendants were on the same plantation in South Carolina for at least 200 years—46 years, more or less, shy of the existence of this country.
There have been ludicrous reasons presented for removing images and memories of slavery. One is that it makes white people feel guilty. The Trump-MAGA-white supremacist administration says that it is "corrosive ideology," which means that a new ideology is being fomented. Evidently the current ideological narrative that includes slavery and overcoming that ordeal somehow eats away and corrodes the so-called American narrative.
But in reality, who is being bothered and feels corroded are the people who want to sanitize and de-color the real history of America. It is not that they are embarrassed by the brutal history of enslavement, but for them they embrace a politically racialized framework proffering that the history, experiences, and existence of Black people don't really exist. This administration has proven how racialized it is. Their efforts through the Department of Government Efficiency cost 350,000 Black women their jobs. Mobs called law enforcement, some in masks and with no identification, roam the streets removing brown and Black immigrants. They have succeeded in some circles in criminalizing immigrants so that they could carry out their agenda of removing non-whites from the population. And not recognizing the presence and history of Black people is to render in perception, historical understanding, and official narrative the pronouncement and indoctrination that the United States is a white Christian nation without blemish or scar.
A scripture says that "you shall teach them diligently to your children, and shall talk to them when you sit in your house, and when you walk by the way, and when you lie down, and when you rise up." Our story will be told despite this racist agenda of erasure. We will talk about the good, the bad, and the ugly. We will tell the story unto generations, and we will become loud about who we are, what we have experienced, how we have overcome the impossible with possibilities, and declared, no matter how hard we have been pressed down and ignored, in the spirit of Maya Angelou, "Still I rise!" And so will the history of our experiences rise to the heavens and invade all of American history, and we will not be erased.
Keep ReadingShow Less
Trump Ed Dept. Partners With Right-Groups to Spread White-Washed Civics Lessons in 'Schools Across the Nation'
One civics education advocate said the program, which will push schools to teach history content written by PragerU, Hillsdale College, and Turning Point USA, "smacks of authoritarianism."
Sep 18, 2025
President Donald Trump’s Department of Education has announced that it will partner with right-wing think tanks and organizations to develop and spread what it claims is “patriotic education”—but which critics worry is nothing less than ahistorical propaganda—in American "schools across the nation."
Earlier this week, the Trump administration redirected $137 million initially meant for programs aimed at minority students toward what it described as "American history and civics education."
Education Secretary Linda McMahon announced Wednesday that the money will be directed toward discretionary grants aimed at K-12 schools alongside the announcement of new civics curriculum and programs being drawn up by the 250 Civics Education Coalition—a consortium of more than 40 right-wing groups. The goal, McMahon said, was to advance education that "emphasizes a unifying and uplifting portrayal of the nation's founding ideals" in advance of the nation's 250th anniversary in 2026.
It is not Trump's first crack at instilling the nation's youth with a "patriotic education." In the waning days of his first term in office, Trump unveiled the 1776 Report, which, education columnist Jennifer Berkshire recently noted in The Baffler, "was widely panned by actual historians for its worshipful treatment of the Founding Fathers, its downplaying of slavery, and its portrayal of a century-old 'administrative state' controlled by leftist radicals."
While little has been publicized yet about what McMahon's new endeavor will look like in practice, it is known the kinds of people and organizations who will be crafting it. The civics initiative is being led by the America First Policy Institute, a MAGA-aligned think tank that has been responsible for staffing Trump's second administration and has received over $1 million from his political action committee, the Save America PAC. Until 2023, McMahon herself served on the board of AFPI.
In 2022, the group presented a piece of model legislation for a "Civics Course Act" to be introduced in states. It included requirements for students to spend ample time studying the nation's founding documents and figures while banning the teaching of what it called the "defamatory history of America’s founding," which suggests that slavery or inequality are in any way inherent to the nation's institutions.
It also banned the concepts of "systemic racism" and "gender fluidity" and forbade teachers from giving students course credit for engaging with "social or public policy advocacy."
Also included in the coalition is Hillsdale College, a private Christian liberal arts school in Michigan that has proposed its own K-12 curriculum, which Vanity Fair notes "has been criticized for revisionist history, including whitewashed accounts of US slavery and depictions of Jamestown as a failed communist colony."
Another participant is PragerU, the overtly partisan and often factually loose YouTube channel that has been tasked with creating children's educational content in nearly a dozen red states.
The group has produced content venerating figures notorious for practicing slavery, like colonist Christopher Columbus and Confederate Gen. Robert E. Lee. Its videos have argued, among other things, that climate change is a myth, that European fascism was a "far-left" ideology, and that Israel has "the world's most moral army."
The pro-Trump youth group Turning Point USA will also be involved in crafting the curriculum. Its longtime leader, Charlie Kirk, who was assassinated in Utah last week, went on a crusade last year to, in his words, "tell the truth" about Martin Luther King Jr., whom he described as "an awful person," while claiming his signature achievement, the 1964 Civil Rights Act, was a "huge mistake."
An offshoot of Kirk's group, Turning Point Education, said Kirk's assassination has increased its resolve to promote a "God-centered, virtuous education" in US public schools.
The 250 Civics Education Coalition has not yet published a curriculum. But according to the Department of Education, it will be rolling out "a robust programming agenda" over the next 12 months.
During Trump's second term, he has undertaken an effort to purge federal museums and national parks of what one executive order called "improper ideology," which has resulted in the erasure of exhibits and monuments to Black and Native American history. Last month, he lamented that the Smithsonian Museum focuses too much on "how bad slavery was" and ordered a review of the museum's content.
Federal websites, meanwhile, have systematically eliminated many pages that acknowledged the accomplishments of nonwhite historical figures or important events in women's and LGBTQ+ history.
Critics in the education world view Trump's effort to use grants to induce them to adopt his preferred curriculum as an illegal effort to propagandize children.
"The law is clear," said education historian Diane Ravitch in a blog post. "Federal officials are prohibited from seeking to influence or direct curriculum in any way."
Since 1970, the federal government has been barred by law from "any direction, supervision, or control over the curriculum" of public schools.
"Civic education is and must be non-partisan," said Ted McConnell, the executive director of the Campaign for the Civic Mission of Schools. "While the funding is long sought, this is the wrong approach and smacks of authoritarianism."
Update: This piece has been slightly updated to better clarify what is understood about the nature of the civics initiative.
Keep ReadingShow Less
Smithsonian Erased Trump From Impeachment Display Following 'Content Review' By White House
"'Orwellian' is a much-overused phrase," wrote one commentator, "But forcing the Smithsonian to erase the fact of Trump's impeachments is right out of 1984."
Aug 01, 2025
Caving to pressure from the White House, the Smithsonian's National Museum of American History removed references to President Donald Trump from a display on the history of presidential impeachment.
Trump is the only president in United States history to have been impeached twice—once in 2019 after he pressured the Ukrainian president to investigate his political rivals, and again in 2021 for inciting the January 6 insurrection.
But according to a Thursday report from The Washington Post, the museum removed any acknowledgment of these facts from the exhibit in July.
The Post reported:
A person familiar with the exhibit plans, who was not authorized to discuss them publicly, said the change came about as part of a content review that the Smithsonian agreed to undertake following pressure from the White House to remove an art museum director.
Prior to the change, the museum had added a temporary label acknowledging Trump's impeachments, which was added in September 2021.
But the current exhibit states that "only three presidents have seriously faced removal"—those being former Presidents Andrew Johnson and Bill Clinton, who were formally impeached, and Richard Nixon, who was not impeached, but likely would have been had he not resigned amid the Watergate scandal.
The exhibit's online collection likewise almost entirely omits Trump. According to The Post:
The online companion for the display briefly mentions Trump's impeachments, but does not provide any further information about the cases. And a search of the history museum's collection for "impeachment" yields 125 results for Johnson, Nixon, and Clinton—and a single "Impeach Trump" button from a 2017 environmental protest.
The Trump administration has made no secret of its desire to shape institutions like the Smithsonian to flatter the president's preferred telling of American history.
In March, Trump signed an executive order forbidding the Smithsonian from hosting exhibits that "degrade shared American values, divide Americans based on race, or promote programs or ideologies inconstant with federal law and policy."
It specifically singled out exhibits containing "narratives that portray American and Western values as inherently harmful and oppressive" including at the American Art Museum and the National Museum of African American History and Culture. It also targeted any exhibits at the Museum of Women's History that acknowledge the achievements of transgender women.
Following The Post's embarrassing report, the Smithsonian reversed course and released a statement clarifying that "a future and updated exhibit will include all impeachments." It did not specify when that exhibit would be unveiled, or what it would include.
However, the museum is still facing widespread condemnation for caving to the pressure campaign in the first place.
Kavian Shroff, a political commentator and the senior advisor to the Institute for Education, a Washington, D.C.-based non-profit, said the Smithsonian was "erasing history to appease an authoritarian."
"Another institution caves," he added, referencing other actions by media organizations, universities, and government bodies to avoid confrontation with Trump.
"'Orwellian' is a much-overused phrase," said author and Politico magazine commentator Jeff Greenfield. "But forcing the Smithsonian to erase the fact of Trump's impeachments is right out of 1984. Did they drop that stuff down the memory hole?"
Even Rep. Mark Pocan (D-Wis.), jumped in to reaffirm the continued existence of consensus reality.
"Trump can pretend it didn't happen all he wants, but the facts don't lie—he was impeached twice," Pocan said. "I know. I was there."
Keep ReadingShow Less
Juneteenth and the Fight for Justice in Selma and Beyond
Juneteenth is a reminder of why the march for liberty and justice is not over, but a moment to recommit to the work ahead.
Jun 19, 2025
At Foot Soldiers Park, Juneteenth is more than a date on the calendar. It’s a declaration, a call to always remember, to resist, and to continue to reimagine what freedom looks like.
For the last four years Juneteenth has become a commemoration of historic significance that has become more powerful and more necessary. As a community, we gather not just to honor history, we gather to face the present and to envision a better future rooted in truth, justice, and collective power.
Juneteenth commemorates June 19, 1865, the day the last enslaved people in Galveston, Texas were finally told they were free—more than two years after the Emancipation Proclamation. That delay wasn’t a historical oversight, it was an intentional strategy of suppression that today, still shows up through the systems we confront daily.
We celebrate because freedom was never handed to us, we claimed it in 1865, in 1965, and we must claim it today.
Today one thing is clear, slavery didn’t end, it evolved. It’s been institutionalized in the form of mass incarceration, labor exploitation, generational poverty, voter suppression, and policies that consistently and disproportionately harm Black and Brown communities. One-hundred and sixty years later, Black and Brown people are still profiled, surveilled, underpaid, and denied full access to justice.
And yet, we are still here. Still resisting. Still building our communities up. Still rising.
Our hometown Selma is ground zero for the struggle for voting rights and the fight for the socioeconomic prosperity of people of color in our country. We both span two generations of Black people in Selma. One of us was among the 600 foot soldiers who bravely marched across the Edmund Pettus Bridge and demanded voting rights for Black people—ultimately leading to the passage of the Voting Rights Act in 1965. The other one of us was raised to carry that spirit of activism and determination to protect and preserve those rights for generations to come.
In 2021, at a historic moment for our country, we founded Foot Soldiers Park to preserve Selma’s legacy, memorialize the stories of the everyday people who fueled the civil rights movement, and to position the city’s historical significance into an engine for liberation, economic development, and racial justice.
With a mission rooted in the legacy of Selma’s foot soldiers, we don’t shy away from the truth, we walk directly into it. Because that’s where change is born and transformation begins. We don’t just preserve history, we activate it. We innovate. We organize. We lead.
Juneteenth is a reminder of why the march for liberty and justice is not over, but a moment to recommit to the work ahead.
Despite Selma’s historical significance in shaping the very fabric of this country, the majority-Black city is still struggling to overcome generations of institutional racism and overall neglect. Forty-one percent of the population lives in poverty. Thirty-percent are suffering from food insecurity, and an abysmal $27,000 a year is the average income in the city.
When we founded Foot Soldiers Park, we had a clear goal—to transform Selma; ask hard questions; and set a bold agenda to build generational wealth, protect our civil rights, and empower our youth to lead. We are campaigning to fund Selma’s first-ever community and education center, and foot soldiers memorial. This urgently needed hub will be a beacon for leaders, students, and educators to weave the rich tapestry of Selma’s civil rights movement and serve as a conduit for ongoing scholarship in this critical field. As our civil rights are again under attack, we’ll serve as a catalyst for community-led action and civic participation, healing and restoration, youth engagement and activation—building the bench for the next generation of political, business, and social justice leaders.
This Juneteenth we need to face the truth—there will be no erasure. What our history shows is how resilience can lead to transformation. Generation after generation we have turned pain into purpose, and memory into motivation to design systems that move us closer to justice.
As Dr. Martin Luther King Jr. said, “A right delayed is a right denied.” Juneteenth reminds us that justice delayed is not justice at all. Freedom withheld is not freedom for all. And the arc of the moral universe does not bend unless we bend it. Together.
For us Juneteenth is not just symbolic. It is sacred. It is strategic. It is where truth, joy, memory, and action converge.
Every year we celebrate because our people’s story does not end in chains. We celebrate because our ancestors did more than survive; they organized, educated, resisted, and loved. We celebrate because freedom was never handed to us, we claimed it in 1865, in 1965, and we must claim it today.
In Selma, we never rest and we don’t sugarcoat the truth. We are the foot soldiers of 1965 and the foot soldiers of tomorrow—as agents of change, we will keep marching forward.
Keep ReadingShow Less
See More
Most Popular
To inform. To inspire. To ignite change for the common good.
News & Opinion
Trending
Common Dreams, Inc. Founded 1997. Registered 501(c3) Non-Profit
Privacy Policy