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"The petrochemical industry and its toxic products pose an urgent threat to human health and the global climate," a campaigner said.
Environmental and policy groups on Tuesday called for financial institutions to stop funding the U.S. petrochemical industry.
Break Free from Plastic, Friends of the Earth, the Center for International Environmental Law (CIEL), and the Texas Campaign for the Environment issued a 39-page report, Exiting Petrochemicals, that they called a "guide" for financial institutions to divest from the industry.
Petrochemicals are made from fossil fuels and are the basis for a wide array of industrial feedstocks and end products, mostly in plastics or fertilizers. The products drive climate change and harm public health throughout their life cycle, from the frontline communities—disproportionately marginalized and low-income—where fuels are extracted to the oceans and human bodies where microplastics, for example, end up.
The report calls for financial institutions—banks, investment firms, and insurance companies—to stop funding fracking, rapidly phase out all fossil fuel financing, and require petrochemical clients to publicly release transition plans. It also calls for an immediate halt on the financing of new petrochemical projects, about 120 of which are currently planned in the U.S., mostly in the Gulf and the Ohio River Valley.
"The communities most impacted by these developments, often low-income and communities of color, bear the brunt of pollution and health risks," Sharon Lavigne, executive director of RISE St. James, a campaign group in Louisiana, said in a statement.
"We must hold financial institutions accountable for their role in financing these harmful projects," Lavigne added. "It's time to stop funding environmental racism and start investing in a cleaner, safer future for everyone."
Diane Wilson, the executive director of the San Antonio Bay Estuarine Waterkeeper and a fourth-generation fisher, said the industry had already had a negative impact on her area.
"Given the terrible damage that I have seen corporations like Formosa Plastics do to communities, workers, fisheries, bays, and fishermen, the line has to be drawn: No more funding for plastics and petrochemicals!" she said.
Brandon Marks, a CIEL campaigner, summarized the problems the report seeks to address: "The petrochemical industry and its toxic products pose an urgent threat to human health and the global climate."
Source: "Exiting Petrochemicals" report (2024)
Primary plastics production accounted for 5.3% of global greenhouse gas emissions as of 2019—more than commercial aviation and international shipping combined, according to the report.
Fertilizers are also a major emissions source, especially those used in cornfields. Synthetic nitrogen fertilizers derived from fossil fuels account for an estimated 2-5% of total global emissions.
In total, the U.S. petrochemical industry alone releases roughly the emissions equivalent of 40 coal-fired power plants every year, the report says.
The climate impact, however, is only part of the problem, as the report details.
"Petrochemical production releases carcinogenic and other highly toxic substances into the air, exposing fenceline communities to higher risks of cancer, leukemia, reproductive and developmental problems, nervous system impairment, and genetic impacts," the authors wrote in the executive summary.
"Petrochemical production also pollutes waterways with contaminated wastewater," they continued. "In fact, Formosa Plastics was fined $50 million in 2019 for illegally discharging plastic pollution into Texas waterways and another $19.2 million as of June 2024 for continuing violations."
Fossil fertilizers also pose major risks, endangering farmworkers, polluting drinking water, and causing dead zones in marine environments like the Gulf of Mexico, the report says.
Two-thirds of the people living on the fenceline of petrochemical projects are from marginalized racial backgrounds, making these groups disproportionately represented—they make up only 39% of the U.S. population, according to the report.
The authors also put forth the business case against financing the petrochemical industry, arguing that new regulations and decreased demand will make petrochemical plants stranded assets.
"Choosing to finance and insure these projects is not just irresponsible; it's a poor investment," Marks of CIEL said. "Banks, insurers, and investors must stop financing petrochemicals now."
Biologist Sandra Steingraber was invited to speak as climate activist John Mark Rozendaal disobeyed a restraining order to play cello outside CitiBank’s headquarters. However, that speech was never delivered.
On August 8, 63-year-old professional cellist, climate activist, and grandfather, John Mark Rozendaal, was arrested while playing the opening strains of Bach’s “Suites for Cello” outside of CitiBank’s world headquarters in Manhattan. Rozendaal is one of the leaders of the ongoing Summer of Heat civil disobedience campaign that has targeted CitiBank for financing new fossil fuel projects. Earlier this month, Citibank used false allegations to obtain a restraining order to prevent Rozendaal, along with author and campaign leader Alec Connon, from returning to Citibank headquarters or risk being charged with criminal contempt, a crime which carries a maximum seven-year jail sentence. Biologist Sandra Steingraber was invited to bear witness to his restraining order-defying performance and speak at a press event about the significance of his actions. However, that speech was never delivered. Just as Rozendaal began to play the first measures of the suite, police rushed in. Rozendaal and Connon were arrested, as were Steingraber and 13 others in attendance who had formed a circle around the musician as he played. This is the speech that was not delivered.
Good morning. My name is Sandra Steingraber. I’m a PhD biologist, and I like nothing more than to talk about data.
But today, we are here to witness an extraordinary act of courage, and I’m going to speak very personally.
I grew up in coal-country Illinois and was adopted out of a Methodist orphanage. I was a sensitive, introverted child who struggled with human attachment and a sense of belonging. By the time I was 14, I had fallen in love with two things: the Polish composer Frederic Chopin and photosynthesis.
Of all things central to our humanity that climate change threatens, music is on the list.
The idea that I could, with my own fingers, turn black notes on a page—assembled more than a century earlier—into something divinely beautiful was thrilling to me. When I played Chopin, I felt a connection to all the other pianists who had, for generations before me, memorized and practiced this same score for their own recitals.
Meanwhile, the opera of photosynthesis, which takes place inside the miniature Quonset huts called chloroplasts, connected me to the origins of life itself. The idea that green plants can draw in all our exhaled breath through the stomata of their leaves and, in the presence of sunlight, spin carbon dioxide together with water was awesome to me.
With the aid of cytochrome transport systems and leaping electrons, plants undertake an exquisitely beautiful act of biochemical self-creation. They make themselves. They exhale oxygen. And they feed us all.
The biological phenomenon of photosynthesis gave me a sense of ancestry.
By the time I went to college, I had discovered two things: 1) My ear for music was much better than my execution, which was not great; 2) I really loved trees.
So, I forsook the piano for plant ecology and, for my PhD research I learned the skills of dendrochronology, which allowed me to reconstruct the centuries-long history of a forest by studying the patterns of tree rings inside the heartwood of 200-year-old red pines.
The inside of a tree is a living scroll that tells the story—if you are trained to read the language of xylem and phloem—of the entire ecosystem. You can learn, for example, which years great forest fires swept through or which years had especially long winters. I became a historian of forests by studying the rings of the deep inside the trunks of individual trees.
I would have liked nothing better than to spend my life studying trees. But the acceleration of the climate crisis is now torching forests around the world. And drowning them with saltwater. And ravaging them with emergent diseases. And driving their pollinators into extinction. And otherwise stressing them to the point where they can no longer remove and sequester carbon dioxide from the air around them.
So, that’s why I became a civil disobedient with the Summer of Heat campaign. My responsibility as a plant biologist in this moment in human history is to do more than just teach photosynthesis and praise trees. All the oxygen we breathe is provided to us by plants, and they are in trouble. And governments aren’t acting. And banks like Citi keep on financing new fossil fuel projects that are ravaging ecosystems.
For me, the extraordinary concert we are about to witness is the place where botany and music come together.
Orchestral instruments like cellos and violins—as well as the bows drawn across their strings—are made from trees. And not just any trees but tree species that have what musicians call tonewood.
Pernambuco. Ebony. Certain species of maple and spruce.
These trees have cell walls with acoustical properties that vibrate in certain frequencies and, if they are all uniform in size and density, provide the richness of sound that we experience as musical. Different woods have different resonant qualities due to the ratio of cellulose and lignan. Typically, trees used to make classicial musical instruments are 200-400 years old with 20-inch trunks and tree rings that show slow and steady growth.
In a warming climate, however, annual growth rings have become less consistent in size, and the wood has become softer. Instrument-making trees are also increasingly targeted by emerging insect pests.
Trees with tonewood are now growing in more extreme weather conditions and enduring more frequent droughts. Those conditions alter their cellular architecture in ways that alter the tonal qualities of the wooden soundboards of the musical instruments made from their wood. As a result, orchestral music will sound different in the future. Of all things central to our humanity that climate change threatens, music is on the list.
Fifty years ago, playing a Chopin nocturne had the power to stop me from self-injuring. Listening to my friend John Mark Rozendaal defy Citi’s attempt to silence peaceful protest again the financing of climate ruin by performing Bach’s “Suites for Cello” will, I believe, have the power to call us all to stop injury to the planet.
"We cannot profit off of death and destruction," one participant said. "We must love each other and the Earth."
Two dozen faith leaders and their supporters were arrested on Tuesday after chaining themselves to the doors of Citigroup's New York City headquarters to protest its financing of the climate emergency.
Around 50 people participated in the protest, which is part of the Summer of Heat series of actions demanding that Wall Street—and Citi in particular—stop funding oil, gas, and coal.
"I am here because I believe that there is a god in everyone and that calls us to take responsibility for destruction done in our name," Lina Blout of Earth Quaker Action Team said as she was being arrested. "We are all connected. We must live for the planet and each other, and not short-term profit."
Citi was the leading financier of fossil fuel expansion since the Paris agreement entered into force in 2016, spending $204 billion on the development of new oil, gas, and coal. It was also the second leading funder of fossil fuels over all, at nearly $400 billion. In addition to ditching climate-warming energy sources, participants in Summer of Heat want banks like Citi to "exponentially" up funding for renewables, respect the human rights of Indigenous and local communities, and contribute to a "climate reparations fund."
"We cannot profit off of death and destruction," Blout said. "We must love each other and the Earth."
Tuesday's action, led by GreenFaith, was part of the Summer of Heat's Faith Week, running from July 28 to August 3.
"We the people will not tolerate the bad practices of companies like Citi to fund and invest in oil companies who kill our world and it's future."
"Our faiths teach us that the Earth is a sacred trust and we are responsible for its care," GreenFaith wrote on social media. "Why is Citi continuing to violate that trust by giving hundreds of millions of dollars to oil and gas companies? We're here telling Citi: We can do better. We must do better!"
The faith leaders, dressed in white, converged on Citi at around 7:50 am Eastern Time. A total of eight people locked themselves to the doors, causing "chaos" as employees tried to enter for work. The blockade lasted for around half an hour.
"If you've got to walk through a gauntlet of protesters and cops to get to your job maybe you're working at the wrong place," nonprofit consultant Valerie Costa wrote in response to footage of the protest.
Among those arrested at the action were two frontline leaders from the U.S. Gulf Coast, which has been treated as a sacrifice zone by the oil and gas industry for decades.
"There is no future if we were to allow big oil and gas industries who produce death chemicals and products that will wipe out society," Debra Sullivan Ramirez, the president, CEO, and founder of Mossville Environmental Action Now, who was arrested Tuesday, told Common Dreams. "We the people will not tolerate the bad practices of companies like Citi to fund and invest in oil companies who kill our world and it's future."
In one incident, Citi security tried to force open a door while a protester was still chained to it, and then to yank him away from the door. When police joined in, the protester fell down.
"Police were contorting his legs behind the door," another demonstrator said, adding that "it looked painful."
Tuesday's protest brings the total number of arrests from Summer of Heat actions up to more than 450 since June 10, according to organizers.
It also follows a week that saw the four hottest days on record and comes as a heat dome is expected to descend upon much of the U.S., putting the Southwest, Southeast, and Great Plains at particular risk for potentially deadly heat, the Union of Concerned Scientists (UCS) warned.
"Fossil-fuel driven climate change has increased the frequency and severity of extreme heat events over the last half century," UCS said.
The group urged local, state, and national authorities to take immediate measures to protect people such as implementing heat plans, ensuring access to cooling centers, and enshrining protections for outdoor workers.
"But ultimately," UCS said, "limiting the number of days of extreme heat in the long term necessitates that policymakers and decision-makers in all sectors of society do their part to cut heat-trapping emissions, halt the decades-long deception and obstruction by fossil fuel companies that has enabled runaway climate change, phase out fossil fuels, and accelerate the transition to a clean and just energy system."