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"It underscores that his critiques of white supremacy in the Age of Trump are perceived as threatening for one simple reason: He's right."
U.S. Secretary of State Marco Rubio has faced a flood of condemnation since announcing on social media Friday that "South Africa's ambassador to the United States is no longer welcome in our great country."
"Ebrahim Rasool is a race-baiting politician who hates America and hates President Donald Trump," the secretary claimed. "We have nothing to discuss with him and so he is considered PERSONA NON GRATA."
In the post on X—the social media site owned by Elon Musk, Trump's South Africa-born billionaire adviser—Rubio linked to an article by the right-wing news site Breitbart about Rasool saying during a Friday webinar that the U.S. president is leading global a white supremacist movement.
As examples of Trump's "Make America Great Again" movement exporting its "supremacist assault," Rasool pointed to Musk elevating Nigel Farage, leader of the far-right Reform U.K. party, and Vice President JD Vance meeting with the leader of the neo-Nazi Alternative for Germany party.
Responding to Rubio on X, North Carolina State University assistant teaching professor Nathan Lean said: "Ebrahim Rasool is a man of genuine decency, moral courage, and is a friend. This makes me absolutely embarrassed to be an American. And it underscores that his critiques of white supremacy in the Age of Trump are perceived as threatening for one simple reason: He's right."
The Muslim Public Affairs Council (MPAC) similarly responded: "Ambassador Ebrahim Rasool is a principled leader who fought alongside Nelson Mandela against apartheid and has dedicated his career to democracy, interfaith cooperation, and justice. Baseless attacks like this only serve to divide. We stand by him and his lifelong commitment to building a more just and inclusive world."
Laila Al-Arian, executive producer of Al Jazeera's "Fault Lines," declared that "this administration is virulently and unabashedly Islamophobic, not even trying to hide how unhinged they are as they go after people for speech."
Rasool previously served as ambassador during the Obama administration and returned to the role shortly before Trump began his second term. Earlier this week, Semafor reported on his difficulties dealing with the current administration:
He has failed to secure routine meetings with State Department officials and key Republican figures since Trump took office in January, Washington and South African government insiders told Semafor, drawing frustration in Pretoria.
Rasool is likely to have been frozen out for his prior vocal criticism of Israel, a South African diplomat, based in Washington, told Semafor. "A man named Ebrahim, who is Muslim, with a history of pro-Palestine politics, is not likely to do well in that job right now," said one of them. While South Africa brought a case against Israel to the International Court of Justice in December 2023, accusing it of genocide in Gaza, Rasool is nevertheless widely considered to be among the government's most ardent pro-Palestine voices.
South African political analyst Sandile Swana told Al Jazeera on Friday that the "core of the dispute" with the diplomatic was the genocide case against U.S.-armed Israel. In the fight against apartheid, the U.S. "supported the apartheid regime," said Swana. "Rasool continues to point out the behaviour of the United States, even now is to support apartheid and genocide."
Other critics also pointed to the ongoing court battle over Israel's utter destruction of Gaza and mass slaughter of Palestinians.
Council on American-Islamic Relations (CAIR) national executive director Nihad Awad told Rubio: "Your declaration of Ambassador Ebrahim Rasool as persona non grata is a racist, Islamophobic, transparent act of retaliation for South Africa's opposition to Israel's genocide in Gaza."
Imraan Siddiqi, a former congressional candidate in Washington who now leads the state's branch of CAIR, said that "he stood up firmly against apartheid, so it's no coincidence you're punishing him in favor of an openly apartheid state."
South African President Cyril Ramaphosa's office said in a statement Saturday that "the presidency has noted the regrettable expulsion of South Africa's ambassador to the United States of America, Mr. Ebrahim Rasool.
"The presidency urges all relevant and impacted stakeholders to maintain the established diplomatic decorum in their engagement with the matter," the office added. "South Africa remains committed to building a mutually beneficial relationship with the United States of America."
The diplomat's expulsion follows Trump signing an executive order last month that frames South Africa's land law as "blatant discrimination" against the country's white minority. Writing about the order for Foreign Policy in Focus, Zeb Larson and William Minter noted that "his actions echo a long history of right-wing support in the United States for racism in Southern Africa, including mobilization of support for white Rhodesia (now Zimbabwe) as well as the apartheid regime in South Africa."
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'These outlets should apologize publicly & diversify their staff & perspectives to meet their ethical and moral obligations as journalists.'
The nation's leading newspapers were under fire this weekend after publishing opinion pieces seen as "Bigoted," "Islamophobic," "Racist," and "Reckless."
A Wall Street Journal opinion piece published on Friday afternoon read 'Welcome to Dearborn, America's Jihad Capital.'
And on Saturday, The New York Times published a piece by long-time columnist Thomas Friedman titled "Understanding the Middle East Through the Animal Kingdom."
Dearborn, Michigan, a city with the largest Muslim population in the US, has increased its police presence, fearing hate attacks after the Wall Street Journal branded it America's 'jihad capital.'
The Islamaphobic article was written by Steven Stalinsky, who is a commentator on' terrorism' and has served as executive director of the pro-Israel Middle East Media Research Institute based in Washington, DC.
The mayor of Dearborn, Abdullah H. Hammoud, said Saturday that the city's police officers were ramping up their presence across places of worship and major infrastructure points following the publication of Stalinsky's piece that he called "bigoted" and "Islamophobic." The Council on American-Islamic Relations and the Arab American Anti-Discrimination Committee condemned the piece as anti-Arab and racist for suggesting the city's residents, including religious leaders and politicians, supported Palestinian Islamist group Hamas and extremism.
In response to the Wall Street Journal piece, President Joe Biden tweeted Sunday afternoon:
"Americans know that blaming a group of people based on the words of a small few is wrong. That’s exactly what can lead to Islamophobia and anti-Arab hate, and it shouldn’t happen to the residents of Dearborn – or any American town. We must continue to condemn hate in all forms."
Shortly after Biden's tweet went out, Michigan Governor Gretchen Whitmer tweeted:
"Dearborn is a vibrant community full of Michiganders who contribute day in and day out to our state. Islamophobia and all forms of hate have no place in Michigan, or anywhere. Period."
Friedman's piece in the New York Times entitled, "Understanding the Middle East Through the Animal Kingdom," posited Iran as a metaphorical "parasitoid wasp" with proxies in Yemen, Lebanon, Iraq, and Syria as caterpillars. Friedman claimed, "We have no counterstrategy that safely and efficiently kills the wasp without setting fire to the whole jungle," suggesting that the US militarily destroys the entire Middle East to annihilate Iran and its allies. He concluded that he could "contemplate" the Middle East by watching Animal Planet.
Abed A. Ayoub, Executive Director of the American-Arab Anti-Discrimination Committee, tweeted:
"Go ahead and say this about any other people and see the reaction - @tomfriedman would be fired before the ink dries. This election season kickoff is a reminder that anti-Arab racism and Islamophobia are mainstream. That’s why this trash is acceptable to so many, and there will be no accountability."
Erin Overby, former Archive Editor at The New Yorker, tweeted:
"This @nytimes column by Thomas Friedman comparing countries in the Middle East to animals, pests & insects is so virulently racist it could have run in Der Sturmer or on Radio Rwanda pre-‘94 genocide. It’s appallingly offensive & Friedman should be fired."
2 reasons why antisemitism is on the rise:\n\n1. Israel is committing genocide against the Palestinian people.\n2. Zionists like Thomas Friedman & Steven Stalinsky who opine Jews as ethnically superior to Arabs.\n\nThis is why we say Not In Our Name. We must end the genocide now.— (@)
The U.S. television series "Homeland"--widely criticized as Islamophobic and racist--was hacked by three street artists who were hired to paint "authentic" Arabic graffiti for a film set depicting a refugee camp on the Syria/Lebanon border.
The artists staged an intervention by tagging the slogan "Homeland is racist" on the set, which is located just outside of Berlin. Because the production company could not read the Arabic graffiti, the subversive message was featured in a key scene of Season V, Episode II that aired Sunday and depicts the character of CIA agent Carrie Mathison, played by actress Claire Danes.
"In their eyes, Arabic script is merely a supplementary visual that completes the horror-fantasy of the Middle East, a poster image dehumanizing an entire region to human-less figures in black burkas and moreover, this season, to refugees," declared the artists--Heba Amin, Caram Kapp, and Stone--in a statement released Wednesday.
The artists painted numerous other slogans on the set, including: "This show does not represent the views of the artists" and "Black Lives Matter."
The trio said they were hired after being approached in June by a German artist contacted by "Homeland's" production company that was looking for "Arabian street artists."
In their initial meeting, the artists said they were "given a set of images of pro-Assad graffiti--apparently natural in a Syrian refugee camp. Our instructions were: (1) the graffiti has to be apolitical, (2) you cannot copy the images because of copyright infringement, (3) writing Mohamed is the greatest, is okay of course.'"
The artists wrote that they ultimately decided to take the job to seize on "our moment to make our point by subverting the message using the show itself."
The Showtime series has been widely criticized for its Islamophobic and racist stereotypes, as well as its glaring misinformation about the Middle East. Writer Laura Durkay argued last year in the Washington Post, "The entire structure of 'Homeland' is built on mashing together every manifestation of political Islam, Arabs, Muslims and the whole Middle East into a Frankenstein-monster global terrorist threat that simply doesn't exist."
"Granted, the show gets high praise from the American audience for its criticism of American government ethics, but not without dangerously feeding into the racism of the hysterical moment we find ourselves in today."
--Artists Heba Amin, Caram Kapp, and Stone
And Pakistani lawyer and social activist Mohammad Jibran pointed out that Season IV, which sends CIA character Carrie Mathison to Pakistan, is rife with inaccuracies and absurdities, including naming a terrorist villain after the actual former Pakistani ambassador to the United States.
The "Arabian street artists" behind this latest sabotage listed numerous other offenses. "The very first season of 'Homeland' explained to the American public that Al Qaida is actually an Iranian venture," they wrote. "According to the storyline, they are not only closely tied to Hezbollah, but Al Qaida even sought revenge against the U.S. on behalf of Iran. This dangerous phantasm has become mainstream 'knowledge' in the US and has been repeated as fact by many mass media outlets."
"Five seasons later, the plot has come a long way, but the thinly veiled propaganda is no less blatant," the artists continue. "Now the target is freedom of information and privacy neatly packaged as the threat posed by Whistleblowers, the Islamic State, and the rest of Shia Islam."
Yet the program continues to receive high accolades and viewership, in what critics say reflects--and perhaps feeds--a culture of racism and ignorance that has real consequences.
"Granted, the show gets high praise from the American audience for its criticism of American government ethics," the artists noted, "but not without dangerously feeding into the racism of the hysterical moment we find ourselves in today."