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'Have You No Decency?': House Hearing Ends After GOP Chair Misgenders Trans Lawmaker
After doubling down on calling Rep. Sarah McBride "mister," Rep. Keith Self explained, "It is the policy of the United States to recognize two sexes, male and female."
Mar 12, 2025
The Republican chair of a House Foreign Affairs subcommittee abruptly ended a hearing Tuesday after a Texas lawmaker repeatedly misgendered a transgender U.S. congresswoman, sparking a heated response from one of their Democratic colleagues.
Rep. Keith Self (R-Texas), who chairs the House Foreign Affairs Subcommittee on Europe, introduced Rep. Sarah McBride (D-Del.) as "Mr. McBride," prompting the first openly transgender woman elected to Congress to retort, "Thank you, Madame Chair" before beginning her remarks.
McBride was interrupted by Rep. Bill Keating (D-Mass.), the subcommittee's ranking member, who said, "Mr. Chairman, could you please repeat your introduction again?"
Texas Republican Keithself storms out of the meeting he's supposed to be running because a Democrat asked him to treat his colleague Sarah McBride with respect. These people would not last one day as a trans person.
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— Ari Drennen (@aridrennen.bsky.social) March 11, 2025 at 1:39 PM
Self, a 71-year old former Army colonel and county judge, replied that "we have set the standard on the floor of the House."
When pressed by Keating to explain that standard, Self doubled down on calling McBride "mister."
Keating shot back: "Mr. Chairman, you are out of order. Have you no decency? I mean, I've come to know you a little bit, but this is not decent. You will not continue [this hearing] with me unless you introduce a duly elected representative the right way!"
Self then adjourned the hearing. He later explained on social media that "it is the policy of the United States to recognize two sexes, male and female," a reference to an executive order signed by President Donald Trump on the first day back in office.
As journalist Erin Reed noted:
This is not the first time McBride has been treated this way by her colleagues. Just one month ago, Rep. McBride was referred to as the "gentleman from Delaware" on the House Floor by Republican Rep. Mary Miller (R-Ill.). Like Self, Miller also bragged about it afterwards, stating: "Today on the House floor, I refused to deny biological reality… President Trump restored biological truth in the federal government, and I refuse to perpetuate the lie that gender is open to our interpretation. It is not."
McBride has been a frequent target of Republican attacks, facing bathroom bans and dehumanizing rhetoric from her colleagues.
Meanwhile, Republican lawmakers and commentators cheered Self and misgendered McBride. Miller even deadnamed the congresswoman.
McBride responded to Tuesday's incident on the social media site X, writing: "No matter how I'm treated by some colleagues, nothing diminishes my awe and gratitude at getting to represent Delaware in Congress. It is truly the honor and privilege of a lifetime. I simply want to serve and to try to make this world a better place."
The congresswoman has repeatedly stressed that she intends to "pick her battles" and eschew biting at Republicans' bait, while acknowledging that, as hurtful as it can be, bigoted attacks against her are a GOP ploy to distract attention from policies that harm working-class Americans.
"Now that I've got your attention," McBride
said in a separate X post demonstrating this ethos, "Our economy is tanking because of Trump's tariffs."
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Our Anthem of Black and Queer Resistance Is Turned Up at Full Volume
Just as church hymns carried our ancestors through hardships, our music today carries forward the spirit of every Black, queer person who dared to dream of visibility and freedom.
Feb 28, 2025
Music has always been at the very heartbeat of Black culture. Through harmonies, we have found community. Through lyrics, we have found healing. Through dance, we have found freedom in our bodies. And through the drumbeat of music, we have found resistance.
From the spirituals sung by our ancestors on the very land I stand today, to the hymns sweetly sung in my childhood church, to the bass-rattling house music in gay clubs throughout Houston, music has always connected me to my culture. And suddenly, as things begin to feel more quiet on a national stage, I am reminded that the music of Black and queer voices must keep playing, louder than ever before.
I discovered this month that Black History Month quietly vanished from my Google Calendar. Pride was gone too—a so-called “small” omission that represents something much larger and more sinister. This quiet erasure of history is becoming commonplace in public and private spaces, and it speaks volumes. With the cancellation of the Gay Men’s Chorus at the Kennedy Center, the oppressive tides of “Don’t Say Gay” legislation, the transphobic rhetoric, the defunding of LGBTQ+ healthcare and art, and the anti-DEI movements trying their hardest to erase Black and queer identities, making noise remains an act of rebellion.
Black, queer music cannot be ignored or sanitized or whitewashed or undervalued for the next four years, which means Black, queer creators need to be paid, be on the main stages, be given the mic at the awards ceremonies, and be given their flowers for the culture they sustain.
But the history of Black music cannot be rewritten to fit dominant narratives because it is the history of resistance itself. Church hymns and spirituals carried prayers and codes for the enslaved. Blues gave us a place to voice the injustices we endured. Jazz was birthed from the need for freedom of expression. Hip-hop became our weapon to challenge our oppressors. And our many contributions—too often uncredited—built the foundation for rock, country, pop, house, dance, and so much more.
And queer artists have been pivotal to this story. Billy Strayhorn, Duke Ellington’s openly gay composer, brought undeniable brilliance to the jazz world. Billie Holiday turned her voice into a protest. Little Richard, known fondly as the “King of Rock and Roll,” shattered norms and sang about his desires with the kind of joy that felt revolutionary. Sylvester, the “Queen of Disco,” gave us revolutionary anthems of love and resilience while fighting on the frontlines of the HIV/AIDS epidemic. Gospel music would cease to exist if the Black, queer writers, singers, and composers were erased.
Even today, Black LGBTQ+ artists are breaking records and capturing the world’s attention. Big Freedia is the New Orleans “Queen of Bounce” whose music and style have been sampled by some of the biggest artists today. Lil Nas X is bending genres and expectations for Black male rappers. Doechii captivated everyone watching this year’s Grammys and used her speech as a message of hope for Black and queer creators. These artists are showing that the power of being visible and unrelenting in their truth extends far beyond music charts.
But here’s the truth we can’t ignore—many of the icons that came before them, or are their peers today, still have to hide who they were and are. Societal pressures and safety concerns force them into invisibility. And now fear remains that if billion-dollar industries are cowering to current political climates, what will that mean for Black, queer creators?
That is why it is so important to support Black and queer creators, through hiring, funding, streaming, and screaming their songs at the top of our lungs. Their music doesn’t just entertain; it liberates. It mends spirits and moves people to think, to feel, and to act. It’s an instrument of resistance and a tool to drown out this world’s hate. Black, queer music cannot be ignored or sanitized or whitewashed or undervalued for the next four years, which means Black, queer creators need to be paid, be on the main stages, be given the mic at the awards ceremonies, and be given their flowers for the culture they sustain.
When The Normal Anomaly started BQAF (Black Queer AF) Music Festival in Houston, Texas four years ago, it was not created to be a demonstration. We just believed the power of music could bring people together, and—since no one in Texas had done it before—to center it around Black, queer, and allied artists we loved seemed logical. Now, it is the track list to a freedom song so necessary to repeat to quiet the deafening sounds of hate and fear for the community.
That’s why we’re unapologetically taking up space and taking the stage at this year’s BQAF Music Festival, an all-Black queer and allied lineup. For our fourth iteration, our theme this year is VISIBILITY. This music festival is a love letter to our community and our message to the nation and the world—we won’t be erased or silenced. We will be seen, heard, felt, and celebrated. We are turning the volume all the way up—not just for Houston to hear, but for every person across this country who has been made to feel like their identity does not deserve respect or recognition.
We’ve built momentum as a community. Black, queer artists are out here breaking records, genres, and boundaries. And we will not halt this progress. Just as church hymns carried our ancestors through hardships, our music today carries forward the spirit of every Black, queer person who dared to dream of visibility and freedom. Together, we’ll send a message to every lawmaker and system working against us. They may try to silence us, but Black and queer music will always be louder.
As long as there is air in my lungs, I will have a song to sing that fills the silence with the beauty, resilience, and limitless brilliance of our culture.
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GOP Moves to Impeach Judge Who Ruled Against Trump Health Data Purge
"They're spinning up the stochastic terror machine to threaten the judge into submission," said one critic.
Feb 24, 2025
Congressional Republicans on Monday continued to attack federal judges who rule against the Trump administration, with Rep. Andy Ogles of Tennessee introducing articles of impeachment against U.S. District Judge John Bates in Washington, D.C.
Bates, an appointee of former Republican President George W. Bush, recently demanded the restoration of information purged from federal websites to comply with President Donald Trump's executive order on gender—a decision that lead counsel Zach Shelley called "an important victory for doctors, patients, and the public health of the whole country."
The judge's move enraged far-right Republicans like Ogles, a member of the House Freedom Caucus who on Monday called Bates a "RADICAL LGBTQ ACTIVIST" and described his directive to restore resources on gender-affirming care "appalling."
"At no point in American history has the judiciary considered the surgical or chemical castration of healthy children to be a compelling or even legitimate health concern and it shouldn't start now," Ogles added in the social media post announcing the impeachment effort. "We must protect our children from predators like Judge Bates."
Billionaire Elon Musk, head of President Donald Trump's so-called Department of Government Efficiency (DOGE), shared Ogles' post on his social media platform X and said that it is "time to impeach judges who violate the law."
Elon wants to impeach judges for stopping him. This rep. called the judge a predator. They're spinning up the stochastic terror machine to threaten the judge into submission.
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— Alejandra Caraballo (@esqueer.net) February 24, 2025 at 2:29 PM
While there are no apparent legal violations on Bates' part, this isn't the first time Musk has backed ousting judges who impede Trump's agenda. Earlier this month, the richest person on Earth expressed support after Rep. Andrew Clyde (R-Ga.) announced that he was drafting articles of impeachment against Judge John McConnell of the U.S. District Court for the District of Rhode Island, one of the federal judges who blocked the Trump administration's funding freeze.
A third judge is also under attack by Musk and GOP members of Congress. As Courthouse News Servicereported last week:
In Republicans' crosshairs is Southern District of New York Judge Paul Engelmayer, who this month issued an order keeping Musk's team out of the federal payments system. But it's unclear whether this move, aimed at ousting a judge with a lifetime appointment, has the political momentum it needs to clear the high hurdle of impeachment.
Regardless, the articles of impeachment against Engelmayer, filed Tuesday by Wisconsin Rep. Derrick Van Orden but published online Wednesday, represent the most extreme congressional action yet targeting the federal judiciary.
Although Republicans have majorities in both chambers of Congress, their margins aren't large enough to oust any of the judges without Democratic support, which they are highly unlikely to get.
Reutersnoted Monday that "the attacks against judges for their rulings and calls for impeachment have been sharply criticized by bar groups and law professors, including John Collins of George Washington University," who said that the effort is "completely inappropriate" and "smacks of intimidation."
There are mounting fears that in addition to attacking individual judges, elected Republicans including Trump will simply refuse to comply with court orders. As Common Dreamsreported earlier this month, the Revolving Door Project is tracking the Trump administration's refusal to comply with orders from the federal judiciary.
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