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patriarchy
We Gave ‘Transvestigators’ an Olympic Stage—Here’s How We Take It Back
The attacks against Algerian boxer Imane Khelif show why cis women must join trans women in this fight against having our bodies and gender debated and defined.
Aug 20, 2024
As the 2024 Paris Olympics come to a close, it’s heartbreaking to see that instead of celebrating the unity these games are meant to inspire, we were forced to collectively watch the opposite—a deepening divide among us. The original values of Olympism were to “encourage effort,” “preserve human dignity,” and “develop harmony.” And it seems when presented with those opportunities, we failed on all three of those fronts as a society.
As a trans woman, I am deeply disturbed by the narrative that was allowed to surround Algerian boxer Imane Khelif, whose victory against Italian boxer Angela Carini in the women’s welterweight boxing tournament was overshadowed by baseless accusations and transphobic conspiracy theories. These attacks were given a national stage by conservative figures, who falsely claimed that Khelif is biologically male, feeding into the ugly rise of a conspiracy theory known as “transvestigations.”
These so-called “transvestigations” are a disturbing form of misogyny, and part of another category of transphobia known as transmisogyny, targeting women under the guise of protecting womanhood. Khelif is a cisgender woman, assigned female at birth, and identifies as a woman. Yet, her victory, that should have been internationally lauded, was met with a wave of online harassment and accusations.
When we allow fear and hatred to dictate who counts as a “real woman,” we undermine the very foundation of women’s rights.
This is the chilling reality of the world we live in: Anti-trans and transphobic narratives have seeped into the mainstream, reaching a global stage. Now, it’s not just trans women who are under attack by those with nothing better to do than police gender and spread disinformation, but cis women too—anyone whose womanhood doesn’t fit an impossible standard.
“Transvestigations” didn’t start with Khelif, and unfortunately, they won’t end with her. It’s a new label for an old problem—misogyny rebranded, now weaponized against both cis and trans women. It’s a way to attack women while pretending to defend them. It uses language that claims to protect women’s rights but only protects women who fit a certain mold. Many other Olympic athletes—especially women of color—have been subjected to having their gender analyzed because of their strength, abilities, and looks. And when birth certificates, health records, or hormonal testing aren’t enough to satiate this mob of “transvestigators,” they move the goalpost further, constantly redefining what it is to be a woman.
It concerns me to know that cis women are now being persecuted in the same way myself and my trans sisters have been since the beginning of time. As these persecutions intensify, the barometer and measure of “womanhood” will continue to be pushed and challenged. Are we going to start declaring that women with conditions like polycystic ovary syndrome, or women who undergo IVF, aren’t “real” women? Are we going to label women who choose not to have children as less of a woman? Are we going to question the gender of our mothers, sisters, and aunts who have undergone breast augmentation after cancer? Are we going to no longer consider our grandmothers who receive hormonal therapy during menopause to be women? Are we going to let these harmful, misogynistic, arbitrary definitions of womanhood continue to divide us? If you are a woman or care about women and girls, this should worry you as well.
Khelif won the gold, but at what cost? She defended herself in the ring but entered an even bigger battle having to defend her human dignity. She spoke out after her quarterfinal win, urging spectators to refrain from bullying athletes, highlighting the devastating impact such attacks have on mental health. She said, “It can destroy people, it can kill people’s thoughts, spirit, and mind. It can divide people. And because of that, I ask them to refrain from bullying.”
If this is the impact on a cis woman, imagine the daily mental toll on trans women who face this scrutiny not just in sports, but in every aspect of their lives. Transgender people are over four times more likely than cisgender people to experience violent victimization. Forty-three percent of transgender youth have been bullied on school property, compared with 18% of cisgender youth. And now, many human rights organizations are declaring an epidemic of violence against trans people in the United States because of the uptick in attacks, an explosion in violent and hateful rhetoric aimed at the LGBTQ+ community, and the onslaught of discriminatory legislation.
As a trans woman, I know all too well the pain of having my humanity debated, politicized, and threatened. But the harm doesn’t stop with trans women. When we allow these narratives to flourish, when we let public opinion dictate who is “woman enough,” we are all at risk. Consider the growing number of anti-trans bills in the U.S. that seek to police gender in ways that hurt everyone. In states like Idaho, Arizona, and Georgia, these laws are putting young girls at risk, subjecting them to invasive exams to “prove” their gender, such as genital exams, before they can compete in sports.
This is not protection—it’s abuse. It’s a violation of bodily autonomy, and it’s a betrayal of everything women have fought for. The sad truth is that these policies, framed as protecting women, do the exact opposite. They endanger all women and girls, creating an environment where no one is safe from scrutiny.
The reality is that transphobia and transmisogyny don’t just harm the trans community—they harm everyone. When we allow fear and hatred to dictate who counts as a “real woman,” we undermine the very foundation of women’s rights. We allow the patriarchy to pit us against each other. They are creating infighting against an imaginary enemy, saying trans women are the true threat to feminism, distracting us from uniting against the real forces that oppress us all.
Imane Khelif’s story is a powerful reminder of what’s at stake. But this is not just about her—it’s about all of us. It’s about the girls and women who will come after her, who will face the same scrutiny if we don’t stand up now and stand up together. Cis women must join us in this fight against having our bodies and gender debated and defined.
This fight isn’t just for trans women—it’s for all women. It’s for anyone who believes in the right to define our own identities, free from the fear of harassment, discrimination, and violence. I hope that out of this, we will see more allies, more voices speaking out against the dangerous rhetoric of “transvestigations.” I hope that cis women will join us on the frontlines and join us in declaring it is not up to the government or the public to define our womenness, or moreso, our humanness.
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The Barbie Movie Is Ultimately an Ad for an Outdated Toy
Because the new film validates potential criticisms, audiences are expected to embrace it as feminist-themed entertainment, but Barbie is still a problem.
Aug 05, 2023
When I was a little girl, my parents bought me a Barbie—a blonde, blue-eyed doll who I played with for years before I ever met a blond, blue-eyed person. My doll set the standard for beauty—one that was out of reach of a brown-skinned, dark-haired kid whose body type was chubby in contrast to my Barbie, but typical for my age.
Eventually, I hated everything the doll stood for: dangerously unattainable beauty standards, the deliberate vapidity of feminism, the centering of whiteness. So, I was surprised when my two sons, aged 10 and 15, recently said they were eager to see the new Barbie film.
The film’s clever marketing has people of all demographics excited: “If you love Barbie, this movie is for you. If you hate Barbie, this movie is for you,” proclaimed the trailer. But ultimately the film is a commercial for an outdated toy.
Handler wanted to market an “adult” doll to girls because the contemporary dolls ones were either baby dolls or had, in her words, “flat chests, big bellies, and squatty legs—they were built like overweight 6- or 8-year-olds.”
Launched in 1959 and conceived by Ruth Handler, Barbie was modeled on a German doll named Bild Lilli, an adult men’s gag gift. Brennan Kilbane wrote in Allure that, “Bild Lilli was a single-panel comic character in a German tabloid—a sweet, ditzy, curvy figment of the male imagination, frequently losing her clothes and enjoying the company of men.”
Handler wanted to market an “adult” doll to girls because the contemporary dolls ones were either baby dolls or had, in her words, “flat chests, big bellies, and squatty legs—they were built like overweight 6- or 8-year-olds.”
The doll has always been tone-deaf. Soon after Barbie was launched, just as second-wave feminism emerged, Mattel released Slumber Party Barbie. This Barbie, Devika Sunand wrote, “came with pink pajamas, a pink scale set at 110 lbs, and a diet book on how to lose weight, with only one instruction: DON’T EAT!”
But because the new film validates such criticisms, audiences are expected to embrace it as feminist-themed entertainment.
They’re invited to wear the doll’s signature Pepto-Bismol pink to theaters—the same color associated with gender stereotyping of girls. A social media fashion trend called #Barbiecore on TikTok is garnering hundreds of millions of views for posts created by young influencers heavily made up to look like the doll.
Barbie has also popularized the horrific-sounding “bimbo feminism.”
“Instead of abandoning femininity to succeed in a patriarchal society, bimbo feminism embraces femininity while supporting women’s advancement,” wrote Harriet Fletcher in The Conversation. In other words, women are supposed to attain career success while appealing to men.
There persists a belief that Barbie is a feminist icon in spite of Mattel steering clear of the f-word. Robbie Brenner, head of Mattel Films, says the film is “the ultimate female-empowerment movie.” While America Ferrera’s character, struggling with the pressures of patriarchy, is the film’s most relatable protagonist, she remains a supporting actor.
Even the right-wing backlash to the film as “anti-man” is being touted as a measure of its feminism. If it’s angering the misogynist incels, surely it’s on the feminist track, claim the film’s defenders. “It’s not a Barbie doll that threatens women’s rights, opportunities, and safety—it’s the patriarchy,” wrote Fletcher. But both are true, to different extents.
Defenders of the film point to its diverse casting. But as Kilbane explained in Allure: “The Barbieverse distinguishes between two Barbies. There’s Barbie ‘the icon,’ or ‘brand,’ who can be blonde and short, or Black and svelte, or Frida Kahlo and white. There’s Barbie ‘the character,’ who is exactly who you’re thinking of, and will be played by Margot Robbie.”
Ultimately the film is a $145 million ad campaign for a toy that should have faded away years ago.
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