SUBSCRIBE TO OUR FREE NEWSLETTER
Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.
5
#000000
#FFFFFF
");background-position:center;background-size:19px 19px;background-repeat:no-repeat;background-color:var(--button-bg-color);padding:0;width:var(--form-elem-height);height:var(--form-elem-height);font-size:0;}:is(.js-newsletter-wrapper, .newsletter_bar.newsletter-wrapper) .widget__body:has(.response:not(:empty)) :is(.widget__headline, .widget__subheadline, #mc_embed_signup .mc-field-group, #mc_embed_signup input[type="submit"]){display:none;}:is(.grey_newsblock .newsletter-wrapper, .newsletter-wrapper) #mce-responses:has(.response:not(:empty)){grid-row:1 / -1;grid-column:1 / -1;}.newsletter-wrapper .widget__body > .snark-line:has(.response:not(:empty)){grid-column:1 / -1;}:is(.grey_newsblock .newsletter-wrapper, .newsletter-wrapper) :is(.newsletter-campaign:has(.response:not(:empty)), .newsletter-and-social:has(.response:not(:empty))){width:100%;}.newsletter-wrapper .newsletter_bar_col{display:flex;flex-wrap:wrap;justify-content:center;align-items:center;gap:8px 20px;margin:0 auto;}.newsletter-wrapper .newsletter_bar_col .text-element{display:flex;color:var(--shares-color);margin:0 !important;font-weight:400 !important;font-size:16px !important;}.newsletter-wrapper .newsletter_bar_col .whitebar_social{display:flex;gap:12px;width:auto;}.newsletter-wrapper .newsletter_bar_col a{margin:0;background-color:#0000;padding:0;width:32px;height:32px;}.newsletter-wrapper .social_icon:after{display:none;}.newsletter-wrapper .widget article:before, .newsletter-wrapper .widget article:after{display:none;}#sFollow_Block_0_0_1_0_0_0_1{margin:0;}.donation_banner{position:relative;background:#000;}.donation_banner .posts-custom *, .donation_banner .posts-custom :after, .donation_banner .posts-custom :before{margin:0;}.donation_banner .posts-custom .widget{position:absolute;inset:0;}.donation_banner__wrapper{position:relative;z-index:2;pointer-events:none;}.donation_banner .donate_btn{position:relative;z-index:2;}#sSHARED_-_Support_Block_0_0_7_0_0_3_1_0{color:#fff;}#sSHARED_-_Support_Block_0_0_7_0_0_3_1_1{font-weight:normal;}.grey_newsblock .newsletter-wrapper, .newsletter-wrapper, .newsletter-wrapper.sidebar{background:linear-gradient(91deg, #005dc7 28%, #1d63b2 65%, #0353ae 85%);}
To donate by check, phone, or other method, see our More Ways to Give page.
Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.
From Taylor Swift to Tom Hanks, typewriters are cool again, signaling that we're all searching for ways to break free from the reactive and often toxic impulses of communication through our screens.
When Katharine Tito approached the vintage typewriter at Monmouth University in West Long Branch, New Jersey, skepticism was written across her face. Though she'd spotted typewriters in thrift stores, she'd never actually used one. As a graphic design student immersed in digital tools, the mechanical contraption before her seemed like a relic. But as she began typing people's messages to the President of the United States for my "I Wish to Say" project, something shifted. Her fingers found their rhythm on the keys, and her expression transformed.
"It's different from anything I've experienced," she told me. "Each keystroke feels weighty, permanent. You can't just delete and start over. You have to think about every word. Sometimes people would talk too fast, and I'd have to tell them, 'You've got to slow down because I can only go so quickly.'" As I watched students gather around her desk, drawn by the hypnotic clacking of keys, I witnessed a revelation I've seen countless times: the moment people discover the power of slowing down to truly engage with their thoughts and words.
This transformation isn't happening in isolation. On the eve of World Typing Day tomorrow, we're witnessing a typewriter renaissance. Taylor Swift captures the romance and allure of typewriters in her songs and videos. Retro typewriter fonts dominate Instagram. Tom Hanks is showcasing vintage typewriters from his personal collection at a New York exhibition, while customers flock to specialty shops like Philly Typewriter, craving something more real than pixels.
The 2024 presidential election laid bare what my typewriter has shown me all along—beneath the predictions of seismic political shifts, we remain a nation divided by the thinnest of margins.
This resurgence reflects a more profound cultural shift. In an era of rapid-fire texts and tweets, hot takes on social media, and barking demands at Siri and Alexa, people are yearning for more deliberate forms of communication and connection. I've seen this hunger grow over two decades of "I Wish to Say," as I set up my pop-up desk in libraries, schools, and town squares across America. From the presidency of George W. Bush through Joe Biden's term, I've invited people to dictate their hopes and fears, their dreams and demands. The experience transforms both me and the speaker. As words are deliberately pressed into paper, I watch people pause, reconsider their phrasing, and weigh the permanence of their message. The steady rhythm of metal striking paper—that distinctive clack-clack-ding—seems to create a space for reflection that our digital devices rarely allow.
This practice of what I call "radical listening"—deeply engaging with another person's words as you type them—offers a powerful antidote to our current political polarization. When someone participates in "I Wish to Say," I absorb everything: their words, their body language, the way they prepare themselves before beginning to dictate. The typewriter creates a unique space of trust—as they watch and hear their words being struck into paper, one letter at a time, they know they're truly being heard. Some have likened it to therapy, this experience of having someone listen with such complete attention.
I've seen its particular relevance on college campuses. One week after the 2024 election, I set up my typewriter at Scripps College in Southern California. The campus was tense, emotions raw. Student after student approached my desk, their concerns for the future were palpable. But something transformed as they watched their words appear on paper. One student reflected on the catharsis of the experience."I feel something," she said. "I can't quite tell you what it is, but I feel good."
What I've learned through thousands of these exchanges is acute: You never really know what someone thinks until you sit down and truly listen. In our era of instant reactions and digital silos, this kind of deep listening has become increasingly rare—and increasingly vital.
The typewriter renaissance isn't an isolated phenomenon—it's part of a broader return to real-world connections. Across the country, young people are seeking alternatives to the exhausting cycle of social media discourse and genuine bonding. Running groups are replacing swipe-right romance. Reading parties in public spaces are drawing crowds. Gen Z players are flocking to old-school chess, mahjong, and backgammon clubs, drawn to the thrill of face-to-face competition. Screen-free cafes are becoming sanctuaries of uninterrupted conversation and deep thought. These shifts speak to something we all know deep down: IRL moments beat scrolling every time.
Two decades of typing other people's words have revealed a fundamental truth about communication—and democracy. The 2024 presidential election laid bare what my typewriter has shown me all along—beneath the predictions of seismic political shifts, we remain a nation divided by the thinnest of margins. The historically narrow House majority and razor-thin popular vote aren't just statistics. They reflect a nation that desperately needs new ways to bridge its differences. The typewriter, with its demanding presence and unforgiving permanence, shows us a new way forward: Slow down before you speak, choose your words with care, and embrace the transformative power of truly listening to another person's perspective.
These lessons extend far beyond the typewriter itself. In our civic discourse, our professional lives, and our personal relationships, we're all searching for ways to break free from the reactive and often toxic impulses of communication through our screens. Sometimes the most radical act is simply to pause, to consider our words carefully, and to create space for genuine dialogue—one metaphorical keystroke at a time.
What the venerated NYT columnist saw in Beijing and what he didn't learn.
Thomas Friedman probably thought he was being clever when he titled his most recent article How Elon Musk and Taylor Swift Can Resolve U.S.-China Relations. It’s a headline meant to catch your attention– appealing to the Swifties, who think Taylor can save the world, the Musketeers, who are certain Elon can save the world, and, of course, their anti-fans who follow their every move with just as much zeal, and perhaps even more. It was the New York Times version of clickbait, because why bother with solid journalism when you can piggyback off the success of billionaires?
It was clickable, but it was hardly readable.
Friedman starts his piece off with a kernel of truth, just enough to shock the regular NYT’s readers who are very rarely fed a positive bit of news about China:
“I just spent a week in Beijing and Shanghai, meeting with Chinese officials, economists and entrepreneurs, and let me get right to the point: While we were sleeping China took a great leap forward in high-tech manufacturing of everything.”
Nobody that knows anything about China can argue with that, though a majority of Americans certainly still view the far-away country through the lens of Soviet communism and rural backwardness. The correlation is that the majority of Americans know nothing about China, have never been, and will never go.
He then goes on to express how Donald Trump’s tariffs and anti-China rhetoric jump-started China’s manufacturing prowess, mentioning how Trump’s name on Chinese social media is “Chuan Jiaguo” meaning “Nation Builder.”
Friedman’s general lack of understanding about China was a let down. But mostly I was disappointed because the title had me anticipating a much different read—something with a bit of creativity, and maybe even an original thought.
No. It was not Donald Trump that ushered in China’s “Sputnik moment,” as quoted by business consultant Jim McGregor. Trump is merely an amusement to China’s general public—a strange American enigma whose hard lines are overshadowed by unexpected candor and comical behavior. For China, the last 40 years has been a continuous Sputnik moment—from the elimination of extreme poverty to unprecedented shift to renewable energy, China has been on the rise, and Donald Trump has never been the yeast making that happen.
And then comes the meat of Friedman’s theory, what he calls the “Elon Musk-Taylor Swift paradigm.” Instead of suddenly raising US tariffs against China, which will lead us into a kind of supply-chain warfare that benefits nobody, Friedman suggest a gradual rise in tariffs, that would allow the US to “buy time to lift up more Elon Musks” which he describes as “more homegrown manufacturers who can make big stuff so we can export more to the world and import less,” as well as give China more time to “let in more Taylor Swifts” which are “more opportunities for its youth to spend money on entertainment and consumer goods made abroad.”
Friedman isn’t wrong about the idiocy of a US-China trade war, but his prognosis is tone-deaf, and very clearly the result of a Western capitalist tormented by the concept of zero-sum competition:
“It’s important to the world that China continues to be able to give its 1.4 billion people a better life — but it cannot be at the expense of everyone else.”
He does, unsurprisingly, make the Soviet comparison:
But if we don’t use this time to respond to China the way we did to the Soviet Union’s 1957 launch of Sputnik, the world’s first artificial satellite, with our own comprehensive scientific, innovative and industrial push, we will be toast.”
Toast! Don’t we all collectively like toast?
He talks of the dangers of China’s rising economic dominance. How China “owns the future” because it is the main producer of Electric Vehicles. How China is domestically self-sufficient. How China will soon account for nearly half of all global manufacturing. How all of China’s gains will be everyone else’s loss. How China is going to export robot-run factories to other countries, and thereby steal labor opportunities— as if the West hasn’t exported their own factories and exploited impoverished communities for cheap labor over decades.
“But here’s what’s scary: We no longer make that many things China wants to buy. It can do almost everything at least cheaper and often better.”
That must be incredibly scary to the average American who would rather pay a few bucks for a Temu version of an item rather than shell out tens of dollars for anything made by local businesses. It’s not their fault. The U.S. is incredibly unaffordable and the government does not seem to care.
At the same time, Friedman criticizes the lack of consumption within China:
“If I were drawing a picture of China’s economy today as a person, it would have an awesome manufacturing upper body — like Popeye, still eating spinach — with consuming legs resembling thin little sticks.”
It is the fate of a capitalist to view nonconsumption as a societal malady rather than a sign of good health. The truth is those that consume less have other more nourishing and sustainable ways to fill their souls. At a time when consumerism and overspending are contributing to the destruction of the planet, this is a rather thoughtless point to make. Imagine if society applauded community-building rather than the pointless expenditure of money to temporarily fill a gaping emptiness left by a lack of community and an overemphasis on hyperindividualism? It is very American to look for quick solutions rather than address the root cause.
To his credit, Friedman does state the importance of China providing for its 1.4 billion population, but it is a mere drop of humility that does little to balance the western self-righteousness. He does not comment on the fact that China’s population is greater than the US and Europe combined. Neither does he comment on the West’s own role in exporting labor for cheaper prices— because a capitalist system is run on greed, and wherever a buck can be saved, you bet it will be. Even at the expense of the people.
Friedman suggests that China should “let their people have more of the supply.” Apparently, they want to buy more stuff from us. Stuff that Friedman claims they are being starved of under the rule of the Communist Party of China. Things like art and entertainment. Majors in gender studies and sociology.
“Its youth need more outlets for creative expression — without having to worry that a song lyric they write could land them in prison.”
I have doubts that Friedman ever ventured out to a concert in Shanghai, let alone listened to some of China’s latest indie music. Culture is something that China definitely does not lack, and to make that claim is so wildly misguided that I question whether he has any understanding of China at all. One merely has to take a walk along the riverside in literally any city, and they will be bombarded by musicians, performers, and an impressive amount of outdoor public karaoke. There are as many artists as there are consumers of art, and indeed, a fair share of students pursuing the humanities.
He concludes:
“In sum, America needs to tighten up, but China needs to loosen up. Which is why my hat is off to Secretary of State Antony Blinken for showing China the way forward.”
What did Antony Blinken do that was so impressive? He stopped at a record store in China and bought a Taylor Swift album.
Maybe, just maybe, Friedman is just one giant Swiftie. But more likely, he threw the article together with a preschool level understanding of the WTO, and an opinion that almost sounds like an opinion, but doesn’t really say much of anything when you give it a thought.
I would have been more impressed if Friedman suggested sticking Elon Musk and his federal spending chopping block DOGE on the over-bloated Department of Defense, and booking Taylor Swift a highly-publicized multi-city tour around China.
The only difference between sudden tariffs and gradual tariffs is time—and what will time do? In our 4-year system, time is as fickle as our word. Either way, China will still be pioneering the green energy revolution, selling affordable EVs and renewable energy equipment around the globe while the United States, as the NYT Beijing bureau chief Keith Bradsher says, will “become the new Cuba—the place where you visit to see old gas-guzzling cars that you drive yourself.”
And if the US continues its threatened posture around anything coming from China—including green energy tech—the world will continue to heat up, and we will all face the consequences.
Friedman’s general lack of understanding about China was a let down. But mostly I was disappointed because the title had me anticipating a much different read—something with a bit of creativity, and maybe even an original thought.
I would have been more impressed if Friedman suggested sticking Elon Musk and his federal spending chopping block DOGE on the over-bloated Department of Defense, and booking Taylor Swift a highly-publicized multi-city tour around China. Send Blinken along with her, if he’s such a big fan, and have him venture outside of his strict China perimeter to meet, talk with locals, and experience a version of China that he never would in his fancy hotel rooms and secure government buildings. Maybe then he would form an opinion based on his own experiences rather than the lines he memorized over the course of his typical Ivy League education, and the subsequent falling-in-place that one must do to become the Secretary of State of the United States. A selling out of the soul, if you will.
And maybe the well being of the people—of all people—would be considered for once, rather than the flimsy monetary aspirations of the already-wealthy.
"The need for federal regulations to address this type of misinformation and prevent AI deepfakes from upending our elections and undermining our democracy has never been more urgent," said one advocate.
The consumer advocacy group Public Citizen on Wednesday applauded pop star Taylor Swift for using her platform and her endorsement of U.S. Vice President Kamala Harris in the presidential race to go beyond simply expressing support for the Democratic candidate—choosing instead to also call attention to artificial intelligence and how it's been used to spread misinformation.
"Recently I was made aware that AI of 'me' falsely endorsing Donald Trump's presidential run was posted to his site. It really conjured up my fears around AI, and the dangers of spreading misinformation," wrote Swift in an Instagram post announcing her endorsement of Harris.
Swift was referring to a false AI-generated image, known as a deepfake, that showed the singer-songwriter's likeness dressed as Uncle Sam with the caption, "Taylor Wants You to Vote for Donald Trump." Trump shared the image on his Truth Social account in August, along with fake images of people appearing to wear shirts that read, "Swifties for Trump."
The images were shared days after the Federal Election Commission's Republican chair, Sean Cooksey, had announced the agency would not establish new rules to prohibit political candidates or groups from misrepresenting opponents or issues with deceptive images.
Cooksey had said the FEC wanted to wait and see "how AI is actually used on the ground before considering any new rules"—a decision Public Citizen denounced as "shameful."
On Wednesday, Public Citizen co-president Lisa Gilbert noted that the way AI and deepfakes can and will be used has already been made clear, partially by Swift's experience.
"Taylor Swift—who has been a victim of both AI-generated election misinformation and AI-generated non-consensual intimate deepfakes—is correct in identifying the immensely damaging harms that could result from the spread of AI misinformation, including abuses of our elections."
In addition to the images shared by Trump, billionaire Tesla CEO Elon Musk, a Trump supporter, posted on social media a deepfake video that showed a manipulated image of Harris.
"The need for federal regulations to address this type of misinformation and prevent AI deepfakes from upending our elections and undermining our democracy," said Gilbert, "has never been more urgent."