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Groundbreaking TV Producer and Activist Norman Lear Dies at 101
"Anyone who ever had a chance to say something pointed or political in American television entertainment owes Norman Lear their adoration and awe," said TV writer and producer David Simon.
Dec 06, 2023
Actors and television and film producers were joined by progressive lawmakers, human rights advocates, and abortion rights groups in paying tribute to Norman Lear, the legendary TV writer and producer who ushered in an entirely new era of sitcom viewing to the American public in the 1970s, as his death at the age of 101 was announced Wednesday.
Lear has long been credited with expanding audiences' ideas about whether salient topics of the day like racism, poverty, and reproductive rights could be fodder for primetime television after his first smash hit, "All In the Family," was introduced in 1971.
The show, which ran for eight seasons and inspired several spin-offs, featured the bigoted Archie Bunker at its center, with his progressive daughter and son-in-law, influenced by the 1960s counterculture, frequently challenging his views.
"All In the Family" broke new ground by confronting Bunker's homophobia, his wife Edith's experience of going through menopause, widespread opposition to the U.S. war in Vietnam, and racism.
"Honesty about white racism was such a relief," reflected Maya Wiley, CEO and president of the Leadership Conference on Civil and Human Rights.
As critic Ben Brantley said on social media, Lear "redefined what could be said and seen on television" and "made the uncomfortably narrow American mind the center of a sitcom."
Other hit series included "The Jeffersons," which featured an upwardly-mobile Black family and which Lear said he was inspired to write after members of the Black Panthers told him, "Every time you see a Black man on the tube, he is dirt poor." The family at the center of the sitcom discussed issues including alcoholism, interracial relationships, and classism. As Danielle Cadet wrote at HuffPost in 2012, the show "opened doors for future black actors, and its success proved that African American sitcoms did, in fact, resonate with general audiences."
"Sanford and Son," about a Black junk dealer who often butts heads with his more open-minded son, "mine[d] laughs in a setting that in real life had been torn apart over police abuse issues not long before, during the Watts riots of August 1965," noted the International Academy of Television Arts and Sciences. In "Good Times," a Black woman faced challenges as she raised her family in public housing in Chicago.
The success of Lear's series meant that "anyone who ever had a chance to say something pointed or political in American television entertainment owes Norman Lear their adoration and awe," said TV writer and producer David Simon.
The nonprofit group Abortion Access Front paid tribute to another series, "Maude," in which the title character had an abortion in an historic 1972 episode.
"We humbly aim to continue the legacy of smashing stigma and promoting the vitality of abortion access through humor," said the group, posting a clip for the episode in which Maude's daughter says, "We're free, we finally have the right to decide what we can do with our own bodies."
The show "broke many barriers," said researcher Steph Herold, not only by being the first sitcom to contain a plotline dealing with abortion care, but also by having "the first abortion plotline that centered the woman instead of her partner, doctor, or lawyer, the first legal abortion plotline."
"Norman Lear moved minds through the moving image," said U.S. Sen. Ed Markey (D-Mass.). "His commitment to social justice ran through his work."
Lear founded the progressive group People for the American Way (PFAW) in 1981 and oversaw its advocacy on behalf of LGBTQ rights, freedom of speech, and other issues.
He later established groups that aimed to push for voter registration among young people, promote socially responsible behavior by corporations, and encourage the entertainment industry to educate viewers about environmental damage.
Lear was awarded lifetime achievement awards from the Producers Guild of America, the Television Critics Association, and the free expression group PEN Center USA, as well as a National Medal of Arts in 1999.
As Common Dreams reported in 2017, Lear refused to attend a reception at the White House to celebrate the Kennedy Center's decision to honor him that year, saying he did not want to mark the occasion at the home of then-President Donald Trump, who had slashed arts funding.
"I can't see myself visiting a White House, what [Trump] called a dump, that dumps on the National Endowment for the Arts," he told The Washington Post.
PFAW noted on Wednesday that Lear considered himself a patriot, and once wrote that he would not "surrender that word to those who play to our worst impulses rather than our highest ideals."
"That belief shone through in his work," said the group.
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Under Pressure From Striking Writers, Netflix Shareholders Reject Exorbitant CEO Pay
"I wonder how it feels to have a group of people challenge your pay and worth," said one labor leader sarcastically.
Jun 02, 2023
Television writers who have been on strike for a month applauded a vote at Netflix's annual shareholder meeting on Thursday in which the streaming company's investors rejected an executive pay package that critics said exemplified the greed of Hollywood CEOs and their unfair treatment of the workers behind their lucrative content.
A majority of the shareholders voted against a pay package for executives including co-CEOs Greg Peters and Ted Sarandos as well as Netflix co-founder and board chair Reed Hastings.
Under the proposed pay package, Sarandos would earn up to $40 million in base salary, a bonus, and stock options, while Peters would take home $34.6 million.
"I wonder how it feels to have a group of people challenge your pay and worth,"
tweeted labor leader Lindsay Dougherty sardonically. Dougherty is secretary-treasurer of Teamsters Local 399 and represents more than 6,000 TV and film workers.
Meredith Stiehm, president of the Western branch of the Writers Guild of America (WGA), noted in the union's letter to studio executives last week that the shareholders were also asked to give retroactive approval to the company's 2022 CEO pay package, which amounted to $166 million.
"While investors have long taken issue with Netflix's executive pay, the compensation structure is even more egregious against the backdrop of the strike," wrote Stiehm, noting that in contrast to the executives' annual pay, "the proposed improvements the WGA currently has on the table would cost Netflix an estimated $68 million per year."
Thursday's vote was non-binding, and could be overturned by the company's board of directors, but writer Jelena Woehr tweeted that shareholders' rejection of Netflix's pay structure could ultimately pressure TV studios to meet the demands of the WGA, including higher residual pay and better compensation for writers who are hired before a show has been given a greenlight for production.
\u201cThis is a fairly mild action but if they get mad enough about watching their shares lose value, activist investors can start causing a lot more trouble, and I suspect by fall they will\u2026\u201d— Yell in a Strike (@Yell in a Strike) 1685661537
The WGA West noted that executive pay packages rarely fail to get approval from shareholders.
"It's clear that investors don't believe this management team is worth $160+ million a year," the union
wrote.
\u201cInstead, this money paid the top Netflix execs who are creating risk for the company and shareholders by not offering writers a fair deal. 3/6\u201d— Writers Guild of America West (@Writers Guild of America West) 1685659853
Stiehm also wrote to Comcast shareholders last week, ahead of the company's annual meeting, urging them to reject a $130 million executive compensation package.
"Shareholders should send a message to Comcast that if the company could afford to spend $130 million on executive compensation last year," she wrote, "it can afford to pay the estimated $34 million per year that writers are asking for in contract improvements and put an end to this disruptive strike."
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'Pay Your Writers': Boston University Crowd Disrupts CEO's Graduation Speech Amid Strike
Writers Guild of America members and local allies picketed outside while the crowd in the stadium booed David Zaslav and made clear to the industry executive that "we don't want you here."
May 21, 2023
As unionized film and television writers across the United States continue to strike, Warner Bros. Discovery president and CEO David Zaslav was met with critical chants both inside and outside of Boston University's Sunday commencement ceremony, during which he spoke and received an honorary degree.
After weeks of negotiating with Zaslav's company as well as Amazon, Apple, Disney, NBCUniversal, Netflix, Paramount, and Sony under the the Alliance of Motion Picture and Television Producers (AMPTP), the Writers Guild of America (WGA) launched the strike in early May, saying that "the studios' responses to our proposals have been wholly insufficient, given the existential crisis writers are facing."
That same week, BU announced Zaslav as a commencement speaker, sparking backlash from students, alumni, community members, and the WGA, East director of communications, Jason Gordon, who expressed "deep disappointment with the university over its poor decision" to provide the industry CEO with a platform.
"Boston University should not give voice to someone who wants to destroy their students' ability to build a career in the film and television industry," Gordon told
The Boston Globe. "The university should expect students, Writers Guild members, as well as other unions and community groups to picket Zaslav's commencement address."
WGA members delivered the promised picket with support from local allies, including members of BU Young Democratic Socialists of America (YDSA) and Boston DSA, who made signs that said: "F*!# Zaslav! Solidarity With the Writers."
\u201cSolidarity with the Writers Guild on strike! Out here with @Boston_DSA and @BU_YDSA comrades picketing Warner Bros. Discovery CEO David Zaslav\u2019s commencement speech at BU.\u201d— Mike Connolly (@Mike Connolly) 1684692373
\u201cAfter getting booed by BU students David Zaslav had to cross the WGA picket line and Scabby the rat on his way out of the VIP exit. Sorry not sorry.\u201d— Annie Stamell (@Annie Stamell) 1684698472
Within Nickerson Field, "boos and expletives rained down" on Zaslav, who graduated from the BU School of Law in 1985.
During his speech, the CEO did not address the ongoing strike, "or the several dozen students who turned their backs to him, and instead shared the strategies that helped him become one of Hollywood's most powerful figures," reportedBU Today.
\u201cWarner Bros. Discovery CEO David Zaslav was met by a huge WGA-DSA picket at BU's commencement today \u2014 with hundreds outside, plus Scabby and a plane, as BU grads turned their backs and drowned him in boos and chants\n\nPay your writers, David, and get the fuck out of Massachusetts\u201d— \ud835\uddea\ud835\uddfc\ud835\uddff\ud835\uddf0\ud835\uddf2\ud835\ude00\ud835\ude01\ud835\uddf2\ud835\uddff \ud835\uddd7\ud835\udde6\ud835\uddd4 \ud83c\udf39 (@\ud835\uddea\ud835\uddfc\ud835\uddff\ud835\uddf0\ud835\uddf2\ud835\ude00\ud835\ude01\ud835\uddf2\ud835\uddff \ud835\uddd7\ud835\udde6\ud835\uddd4 \ud83c\udf39) 1684709485
As The A.V. Club's Sam Barasanti wrote Sunday:
It seems like, for those of us who weren't there, that Zaslav's speech was as stunningly out-of-touch with reality as the decision to host him was in the first place, which speaks to a general contempt he seems to have for... oh, let's say everyone.
This is a man who was put in charge of a massive media empire, and the most notable things he has done with that power are burn money, dismantle one of the most prestigious brands in entertainment, double-dip on promoting J.K. Rowling, kick off the now-common trend of studios deleting content from their streaming services and making it completely inaccessible in some cases, and—how can we forget?—driving the writers who make his shows and movies to go on a strike that may soon lead to similar strikes from the DGA and SAG-AFTRA that would render Hollywood completely motionless.
According to The Hollywood Reporter, "'We don't want you here,' 'Pay your writers,' and 'Shut up, Zaslav' could be heard emanating from the crowd, messages similar to the prepared chants for the picket, including some created by the school's YDSA chapter members and school students who were inspired by BU hockey chants."
\u201cEnjoy a free serotonin boost every time he\u2019s forced to pause!\u201d— DSA-LA's Hollywood Labor (@DSA-LA's Hollywood Labor) 1684696957
\u201cThe WGA is thankful to all the B.U. graduates for chanting "Pay your writers" at Warner Bros. Discovery CEO David Zaslav while he delivered the #BU2023 commencement address. #WGAStrike\u201d— Writers Guild of America, East (@Writers Guild of America, East) 1684698396
As The Hollywood Reporter detailed:
Students from BU's College of Communications, which houses its film and TV program, as well as the College of Fine Arts and some enrolled in the College of Arts and Sciences, were among those who had expressed interest or were expected to take part in the ceremony protest, according to Vanessa Barlett, a graduating senior who helped lead the student-led writers strike solidarity event inside Nickerson Field.
"I'm in the same college as a bunch of film and TV kids," Barlett, who studied political science and journalism and was among those who created the day's official chants, told The Hollywood Reporter ahead of the event. "I'm friends with a lot of people in the College of Fine Arts, people who are in the theater arts program, so having a sense of solidarity is very important to me."
Some progressive lawmakers also weighed in—including Sen. Bernie Sanders (I-Vt.), who tweeted that "if Warner Bros Discovery can afford to pay its CEO David Zaslav $286 million in compensation over the past two years, it can afford to pay its writers much better wages and benefits. Mr. Zaslav: Listen to the Boston University students and the Writers Guild. Pay your writers."
\u201c\ud83d\udc68\ud83c\udffc\u200d\ud83d\udcbc \u201cYou have to listen to people you disagree with\u201d\n\n\ud83d\udde3\ufe0f \u201cPay your writers!\u201d\n\n\ud83d\udc68\ud83c\udffc\u200d\ud83d\udcbc \u201cNo, not me. Not like that\u201d\u201d— Alexandria Ocasio-Cortez (@Alexandria Ocasio-Cortez) 1684707030
Striking workers' demands from studios, which include pay increases and limits on artificial intelligence, "would gain writers approximately $429 million per year," according to WGA. "AMPTP's offer is approximately $86 million per year, 48% of which is from the minimums increase."
This article has been updated with tweets from Worcester DSA, Sen. Bernie Sanders, and Rep. Alexandria Ocasio-Cortez.
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